Ricardo Enrique, Sarah Sachi, Callina Anderson and Gabriel Regojo in Stages' production of Tiny Beautiful Things. Credit: Melissa Taylor

From 2010-2012 author Cheryl Strayed (Wild: From Lost to Found) took over the Dear Sugar anonymous online advice column. She leaned on her own life experiences in her responses and while she wasnโ€™t paid for doing it, she incorporated the material into the book Tiny Beautiful Things published in 2012.

In 2016, Nia Vardalos (My Big Fat Greek Wedding) adapted Tiny Beautiful Things for the stage, using many of the letters and her responses in a non-fiction book. The play premiered off -Broadway at The Public Theater in New York City and starred Vardalos as Sugar. ย 

Ash Love is directing that 90-minute, one act play, now at Stages theater. Besides her work as a director, she is also an intimacy choreographer and a mental health coordinator. All of which seem appropriate for this particular play.

 โ€œThe subject matter does tap into a lot of mental health crises, episodes, issues.,โ€ she says. โ€œWe have characters who are writing in to Sugar in some of their most desperate and uncomfortable moments in their lives seeking help. Sugar addresses them not only directly with her advice but sheโ€™s also sharing really intimate parts of her life and her experiences. โ€œ

A cast can be affected by all these things as well, Love says, and in anticipation of that, Stages has brought on a separate mental health coordinator for the production.

โ€œThis play is about Cheryl Strayed being approached to become the new Sugar. It is through her journey of telling stories about her own life that she creates a real community of healing online.

โ€œSheโ€™s not just doling out instructions.ย  Sheโ€™s really sharing some of the most secretive parts of her life experiences to help align and connect with those who are writing in. So sheโ€™s providing illumination and connection and a sense of trying to create that sense of real connection and a need to reach out to others.

โ€œShe did do this in real life. She wrote in to the Dear Sugar column that did exist on line giving it praise and the writer at the time asked โ€˜Would you like to take it over? Itโ€™s completely free. Itโ€™s anonymous and ittโ€™s not paid. Would you be willing to do this?’ And she does.

โ€œIn real life, these letters spanned the course of multiple years but the convention for the stage adaptation everything happens in one night, in one location in her home.โ€

The cast is four actors for the play set in 2012: Callina Anderson is Sugar, while the others โ€“ Gabriel Regojo, Sarah Sachi  and Ricardo Enrique โ€“ play multiple letter writers.

Asked why this play is so important to her, Love responds:

โ€œIโ€™m so drawn to stories that ask us to examine viscerally ย what does it mean to be human,” Love says. “I loveย that Sugar is such a complex character. She doesnโ€™t give clean or perfect advice. She owned that sheโ€™s really not qualified to do this but sheโ€™s there. She โ€˜s trying. Itโ€™s about the reach that matters most.

โ€œEspecially right now with everything thatโ€™s happening in the world, that idea of leading with a reach, no matter what is happening in your life or in othersโ€™ lives, we have to continue trying to reach each other. Not only for our individual sake but collectively as a species.โ€

Performances are scheduled for April 2-19 at 7 p.m. Wednesdays through Saturdays and 2 p.m. Saturdays and Sundays at Stages at The Gordy, 800 Rosine. For more information, call 713-527-0123 or visit stageshouston.com. $74-$95.

Margaret Downing is the editor-in-chief who oversees the Houston Press newsroom and its online publication. She frequently writes on a wide range of subjects.