Texas native Hendricks, who made his Metropolitan Opera debut a year ago in the role, says: “Sharpless is the moral conscience of the piece. He feels for Butterfly and warns Pinkerton not to take this lightly.” And it only gets worse for the consul. He has to tell Butterfly her husband is not coming back to her and that Pinkerton and his American wife, Kate, want to take Butterfly’s child. “He’s been put in an awful position by Pinkerton’s actions and his selfishness,” Hendricks says. So why do people continue to turn out to see this opera, the most tragic one Puccini ever did? The music, Hendricks says, as well as the fact that the story remains relevant, with resentments continuing to this day over the actions of U.S. servicemen overseas (in 2012, two U.S. sailors were accused of raping a Japanese woman on the island of Okinawa, he points out). Hendricks, who says, “It’s nice not having to play a bad guy,” sings a lot of Puccini and Verdi as well as new works. Houston favorite Ana Maria Martinez returns as Butterfly. Hendricks has a special reason to look forward to this HGO production. “My mom missed my Met debut, so she’ll be coming from San Antonio to see this.”
7:30 p.m. January 23, 28, 31 and February 6; 2 p.m. January 25 and February 8. Wortham Theater Center, 500 Texas. For information, call 713‑228-6737 or visit houstongrandopera.org. $15 to $354.
Fri., Jan. 23, 7:30 p.m.; Sun., Jan. 25, 2 p.m.; Wed., Jan. 28, 7:30 p.m.; Sat., Jan. 31, 7:30 p.m.; Fri., Feb. 6, 7:30 p.m.; Sun., Feb. 8, 2 p.m., 2015