Marie and Bruce

Catastrophic Theatre Director Jason Nodler used to think Wallace Shawn’s Marie and Bruce was, as another writer once put it, “about a terrible marriage that would probably last forever.” That was in 1999, when Nodler and Infernal Bridegroom Productions first put on the play with actors Tamarie Cooper and Charlie Scott in the title roles. Now, Nodler says, as he prepares to stage the play again, with the same actors, he thinks that was an oversimplification. “Perhaps this isn’t a terrible marriage but a terrible time in the marriage. Perhaps this is not a terrible marriage but only a marriage,” because with the advantage of time, Nodler says, he knows that relationships are difficult.

The premise of the 75-minute one-act is fairly straightforward. The couple, who have been married for an indeterminate amount of time, start their day with Marie determined to leave Bruce. “She’s very angry with him; he does not engage. In one way it might be his form of warfare in this contentious relationship, but in another way he’s entirely unaware of the problem…And she needs that intimacy very badly,” Nodler says. They go their separate ways during the day and then reunite for a party (when Houston Rockets General Manager Daryl Morey will make his acting debut) and dinner that night. “The entire play is extremely funny until they go to dinner after the party, and suddenly the bottom drops out.

The play ends on an ambiguous note. By the end of the play, we don’t know what will happen. I think that that’s a wonderful metaphor for life. Nothing in life is inevitable. There is a reason that people stay together even though their relationships are complicated and difficult,” Nodler says. “We always know where the door is; you can always leave, and the fact that people don’t, I think, suggests that there’s something very important in the bond between two people. The play is tremendously funny and it’s an outrageous comedy, but more than that, it’s a devastating comedy. You will be laughing so hard, and suddenly there’s a catharsis that happens onstage.”

8 p.m. Thursdays, Fridays and Saturdays. Through December 14. 1119 East Freeway. For information, call 713-522-2723 or visit catastrophictheatre.com. Pay-what-you-like.
Thursdays-Saturdays, 8 p.m. Starts: Nov. 22. Continues through Dec. 14, 2013

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Margaret Downing is the editor-in-chief who oversees the Houston Press newsroom and its online publication. She frequently writes on a wide range of subjects.
Contact: Margaret Downing