Chris Patton of Standing Room Only Productions thinks that we may be in an era where Broadway-style composers and producers will turn just about any film they can get their hands on into a musical.

From that perspective, itโ€™s easy to see why, in 2005, Jon and Al Kaplan turned the classic movie Silence of the Lambs into an outrageously comedic musical called Silence! The Musical.

โ€œIt really seems like producers will musicalize any film. The Kaplans were poking fun at that: โ€˜Letโ€™s take the most serious film we can think of and turn it into a ridiculous musical comedy,โ€™โ€ Patton says.

โ€œI didnโ€™t realize how funny the show was until I approached it from a directorial standpoint and spent time with the book. Itโ€™s one of those laugh-a-minute, Airplane-style scripts.โ€

The award-winning show will have its Texas premiere on June 9 with Standing Room Only Productionsโ€™ three-week run at the Obsidian Theater, 3522 White Oak.

Patton was originally cast in the show, but, because of a conflict with some of the performance dates, he had to step away. Fortunately for him, that turned out to be perfect timing.

โ€œThey lost the [original] director the same week they lost me, and Rachel [Landon, S.R.O.P.โ€™s director of business and artistic development] asked me if I could direct it. I hadnโ€™t even thought about it, but I thought, โ€˜Why not?โ€™ Itโ€™s been fast and furious, but we find ourselves in a really good place,โ€ Patton says.

Patton is taking an unusual approach to the production by using a lowbrow, minimalist style; or, in other words, heโ€™s intentionally making it look low-budget, which is an unexpected aesthetic for a show that also features tap-dancing lambs.

โ€œIโ€™ve really pushed for this concept of a rough theater production. What weโ€™re doing is extremely stripped-down and purposefully low-rent; itโ€™s very presentational. Everything is done with actors and ridiculous props. Thereโ€™s no spectacle or flash to it,โ€ Patton says.

Moreover, thereโ€™s not a lot in the set that will give clues about scene changes to the audience.

โ€œItโ€™s all about the actors showing the audience where they are through their actions, and their bodies are so engaged in telling the story.โ€

Silence! The Musical is the last show of a very diverse season for Standing Room Only Productions, which included a full-blown rock show and a sultry, Prohibition-era piece that explores the gay subculture of the 1920s through magical realism.

โ€œThe season opened with American Idiot, which was one of the more ambitious things that have been mounted in Obsidian โ€“ itโ€™s a full rock opera with rock concert lighting โ€“ then continued with Speakeasy,ย which did an amazing job of immersing the audience in a speakeasy for the night. To end with something thatโ€™s stripped down and barebones and about nothing but making people laugh is an interesting button; we end on a funny note for the summer.โ€

Silence! is not just a funny note, either, but a fairly bawdy one, too, Patton says.

โ€œIt makes The Book of Mormon blush at some point. This show is exceptionally blue and clever, with wit, intelligence and winks and nods to the audience.โ€

Performances are scheduled at 8 p.m. June 9 through 11, June 13, June 16 through 18, and June 23 through 25; and 3 p.m. June 19 at Obsidian Theater, 3522 White Oak, 713-300-2358,ย obsidiantheater.org. $27.50 to $37.50. No children allowed. Please click here to purchase tickets.