Stylish, Elegant Emma at A.D. Players

The set up: One of literature's most enduring masterpieces, Emma (1815), Jane Austen's sublime comedy of manners, is painted in vivid pastel, not bold swathes of primary color. The world is confined exclusively to the village of Highbury and its constricting domesticity. In early 19th-century England, women who had no inheritance had best find a husband who had, and Austen portrays the lengths -- comic and ironic -- some will go to pay the rent.

The execution: In A.D. Players' stylishly elegant production, actress Sarah Cooksey imbues Austen's heroine with astonishing fidelity. She's the very embodiment of Austen's description: "handsome, clever...with a happy disposition...with very little to distress or vex her." Cooksey is blessed, too, with a physical resemblance to the author herself, and made up to look like her with tendrils of hair curling from under her Regency bonnet, and her slender face offset by an empire gown. Cooksey blooms like a flower out of county Surrey's richest soil.

A daughter of the landed gentry, Emma doesn't need a husband. "I've never been in love," she states with satisfaction, "it's not in my nature." But that doesn't stop her from finding suitable "matches" for others, like new friend Harriet (Abby Bergstrom), who's of questionable parentage and loves a farmer. He's not good enough for you, convinces Emma, who maneuvers prim Highbury rector Mr. Elton (Chip Simmons) toward the pleasant, but dim, Harriet. Of course, Emma's obvious charms whet Elton's passion, which she discovers to her dismay during a secluded carriage ride home. It's the classic "what have I done to deserve this?" scene, and Austen writes the best, and funniest, one of all.

Though Emma is poised and clever, she constantly makes a mess of things. She sincerely wants to help and her heart is of gold, but every affair she touches turns sour. She's her own comedy of errors. She's blind to the loving protests from her patient, stalwart neighbor Mr. Knightly (Craig Griffin), yet she continues to throw unlikely prospects at the dense Harriet.

Designed by Mark A. Lewis, the physical production is as sleek and clean as Jon Jory's literate adaptation. A few accent pieces of Regency furniture convey place, while the costumes by Donna Southern Schmidt are sumptuously period-proper.

The verdict:

Propelled by Cooksey's grand portrayal and A.D. Players' patented and adept ensemble running on high (Patty Tuel Bailey, Ric Hodgin, Laurie Arriaga, Katherine Hatcher), Austen's immortal masterpiece is summer entertainment at its enriching best.

Through August 28. A.D. Players, 2710 W. Alabama. 713-526-2721.

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
D.L. Groover has contributed to countless reputable publications including the Houston Press since 2003. His theater criticism has earned him a national award from the Association of Alternative Newsmedia (AAN) as well as three statewide Lone Star Press Awards for the same. He's co-author of the irreverent appreciation, Skeletons from the Opera Closet (St. Martin's Press), now in its fourth printing.
Contact: D. L. Groover