Inkoo Kang, Author at Houston Press

… it’s worth reconsidering The X-Files’ feminism today, especially when so much of the series’ fan goodwill is based on the quietly political leaps it made in the last century

Inkoo Kang

The Betrayal of Dana Scully: The X-Files Has Been Terrible to Its Lead for a Generation

Return of Top of the Lake is Only 2017’s Second-Best Wrenching Elisabeth Moss Drama

Amazon’s The Last Tycoon Makes Fitzgerald’s Hollywood Into Standard TV

Insecure Offers TV’s Sharpest Insights on Race but Refuses to Limit Itself to That Subject

Like its Characters, Tech Comedy Loaded Is a Little Too Listless for Greatness

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Now’s the Time to Catch Up on Queen Sugar, the Soap Grappling With America’s Past and Present

In a Sprawling New Season, Orange Is the New Black Betrays Itself

Again With the Sad Clowns: The Missed Opportunities of I’m Dying Up Here

Tina Fey Keeps Up Her Kimmy Schmidt Laugh Streak — and Her Obstinacy

Higher Learning: Dear White People Makes for a Thrillingly Frank and Funny Seminar

Pubes, Poops, Periods: How Broad City Takes Body Humor (and Feminism) to the Next Level

American Crime Story’s O.J. Retelling Is a Devastating Tale About Politicizing Justice

The X-Files Brings Back the Conspiracy-Industrial Complex — and Gets Better as It Goes

How Critics Became TV’s Newest Stars

What to Binge: The Best TV of 2015

Frank Spotnitz Lays Out His Version of a Nazi America in The Man in the High Castle

Mike O’Malley’s Brilliant Family Sitcom ‘Survivor’s Remorse’ Asks New Questions About the American Dream

Netflix’s Narcos Tries to Be The Wire for Colombia’s Drug War

Netflix’s ‘Narcos’ Tries to Be ‘The Wire’ for Colombia’s Drug War

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What Does War With Iran Mean For The World Cup?

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