Navigation
Support Us

Houston's independent source of
local news and culture

I support

Houston Press
Houston Press
Local
Community
Journalism
Support the independent voice of Houston and help keep the future of the Houston Press free.
Support Us

Best Band to Break Up/Get Together

The Hollisters

Seems like Houston's finest rockabilly band is always either on the verge of great success or on the brink of dissolving. Neither is ever quite true. The Hollisters' last album, Sweet Inspiration, could have been a springboard to national prominence, but a series of personnel changes followed its release. However, anchored by the baritone sounds of lead singer Mike Barfield, who always brings to mind a young Johnny Cash, the Hollisters continue to rock. Hopefully someday Barfield will get the commercial airplay he and his band deserve.

Best Band to Break Up/Get Together

The Hollisters

Seems like Houston's finest rockabilly band is always either on the verge of great success or on the brink of dissolving. Neither is ever quite true. The Hollisters' last album, Sweet Inspiration, could have been a springboard to national prominence, but a series of personnel changes followed its release. However, anchored by the baritone sounds of lead singer Mike Barfield, who always brings to mind a young Johnny Cash, the Hollisters continue to rock. Hopefully someday Barfield will get the commercial airplay he and his band deserve.

Best Radio Commentary

Marta Glass, The Prison Show, KPFT/90.1 FM

Speaking up for Texas convicts is a thankless task, but Marta Glass takes it on with a righteousness that more often than not achieves a certain eloquence. Glass was (and is) a volunteer in charge of prison issues for the ACLU's Houston chapter -- she still gets 25 to 30 letters a day from inmates -- when she did an on-air interview with Prison Show host Ray Hill. At Glass's suggestion, he offered her a regular spot on the program. "Her anger is remarkable," Hill says. "She is actually as mad as she says she is." For a self-described human rights "fanatic," Glass's approach is unremarkable, if not exactly mainstream: She believes prisoners are human beings whose needs are worthy of consideration. These days, their biggest complaint is inadequate medical care, which explains why Glass's weekly editorial addresses the subject regularly. "It's their show," she says. "I'm talking to them about what they care about."

Best Radio Commentary

Marta Glass, The Prison Show, KPFT/90.1 FM

Speaking up for Texas convicts is a thankless task, but Marta Glass takes it on with a righteousness that more often than not achieves a certain eloquence. Glass was (and is) a volunteer in charge of prison issues for the ACLU's Houston chapter -- she still gets 25 to 30 letters a day from inmates -- when she did an on-air interview with Prison Show host Ray Hill. At Glass's suggestion, he offered her a regular spot on the program. "Her anger is remarkable," Hill says. "She is actually as mad as she says she is." For a self-described human rights "fanatic," Glass's approach is unremarkable, if not exactly mainstream: She believes prisoners are human beings whose needs are worthy of consideration. These days, their biggest complaint is inadequate medical care, which explains why Glass's weekly editorial addresses the subject regularly. "It's their show," she says. "I'm talking to them about what they care about."

Best Traveling Show

Spymonkey's Stiff…undertaking, Undertaking at Theater LaB

A tiny European troupe of actors who call themselves Spymonkey leaped into Houston this past spring and landed with a hysterical thump at Theater LaB. Their naughty, limber clowning glittered with Monty Python-style absurdity and Addams Family spookiness, but what else would you expect from a show about the burial business called Stiff…undertaking, Undertaking? Under the macabre direction of Cal McCrystal, the wild group of actors, including Toby Park, Aitor Basauri, Stephen Kriess and Petra Massey, took giddy delight in creating a hysterical nightmare about the Graves Funeral Home, where a poor, bereaved husband meets up with the most morbidly funny morticians to come along in quite a while. The foursome of goofy characters created a perfectly awful and wildly funny funereal experience as they hammered out headstones and painted over the "ugily bugily" faces of the unfortunate corpses who ended up on their slabs. Happily, this group only exists on stage. Hopefully, they'll bring their strangeness back to town in the not-so-distant future.

Best Traveling Show

Spymonkey's Stiff…undertaking, Undertaking at Theater LaB

A tiny European troupe of actors who call themselves Spymonkey leaped into Houston this past spring and landed with a hysterical thump at Theater LaB. Their naughty, limber clowning glittered with Monty Python-style absurdity and Addams Family spookiness, but what else would you expect from a show about the burial business called Stiff…undertaking, Undertaking? Under the macabre direction of Cal McCrystal, the wild group of actors, including Toby Park, Aitor Basauri, Stephen Kriess and Petra Massey, took giddy delight in creating a hysterical nightmare about the Graves Funeral Home, where a poor, bereaved husband meets up with the most morbidly funny morticians to come along in quite a while. The foursome of goofy characters created a perfectly awful and wildly funny funereal experience as they hammered out headstones and painted over the "ugily bugily" faces of the unfortunate corpses who ended up on their slabs. Happily, this group only exists on stage. Hopefully, they'll bring their strangeness back to town in the not-so-distant future.

Best Club for Local Acts

Mary Jane's

Toby Blunt, Mary Jane's manager, is the last of a dying breed. If you are a local band and need a place to play, chances are Toby -- an experienced local musician himself -- will work something out. He doesn't book any one genre of band. Over the past seven years (and likely within the past seven days), everything from the cacophonous wails of Rusted Shut to the ghetto-melodious hip-hop of Southern Lights to the down-home honky-tonk of Horseshoe and Jesse Dayton has blasted forth from the funky stage in the dark bar on Washington. It doesn't matter what you play, Mary Jane's is willing to put your name in lights.

Best Club for Local Acts

Mary Jane's

Toby Blunt, Mary Jane's manager, is the last of a dying breed. If you are a local band and need a place to play, chances are Toby -- an experienced local musician himself -- will work something out. He doesn't book any one genre of band. Over the past seven years (and likely within the past seven days), everything from the cacophonous wails of Rusted Shut to the ghetto-melodious hip-hop of Southern Lights to the down-home honky-tonk of Horseshoe and Jesse Dayton has blasted forth from the funky stage in the dark bar on Washington. It doesn't matter what you play, Mary Jane's is willing to put your name in lights.

Best Production

Anton in Show Business at Stages Repertory Theatre

The 2000-2001 Houston theater season (which ended up being as exciting as a glass of lukewarm water) started out with a great gush of roaring energy. Jane Martin's explosively funny Anton in Show Business reigned supreme from Stages Repertory Theatre over the entire season. The screamingly funny show focused on the difficulties of modern-day theater life and was perhaps more prescient of the coming theatrical year than was intended when it argued that "the American theater is in a shitload of trouble." Of course Martin, who is generally believed to be Jon Jory, ex-producing director of Actors Theater of Louisville, knows all about the state of American theater. Every sort of theatrical poseur shows up in this script, including pompous foreign directors, foolish narcissistic actors all dressed in black, and rich swaggering funders who know diddly-squat about art. Each and every character casts a beacon of giddy light over the season to come, and together they created the sort of fiery magic that no other production could match.

Best Production

Anton in Show Business at Stages Repertory Theatre

The 2000-2001 Houston theater season (which ended up being as exciting as a glass of lukewarm water) started out with a great gush of roaring energy. Jane Martin's explosively funny Anton in Show Business reigned supreme from Stages Repertory Theatre over the entire season. The screamingly funny show focused on the difficulties of modern-day theater life and was perhaps more prescient of the coming theatrical year than was intended when it argued that "the American theater is in a shitload of trouble." Of course Martin, who is generally believed to be Jon Jory, ex-producing director of Actors Theater of Louisville, knows all about the state of American theater. Every sort of theatrical poseur shows up in this script, including pompous foreign directors, foolish narcissistic actors all dressed in black, and rich swaggering funders who know diddly-squat about art. Each and every character casts a beacon of giddy light over the season to come, and together they created the sort of fiery magic that no other production could match.

Best Of Houston®

Best Of

California Privacy Policy California Collection Notice
Do Not Sell My Info
Use of this website constitutes acceptance of our terms of use, our cookies policy, and our privacy policy The Houston Press may earn a portion of sales from products & services purchased through links on our site from our affiliate partners. ©2023 Houston Press, LP. All rights reserved.
Powered By Foundation