Got one of those must-be-told stories buried deep inside your soul? There's no place better for burgeoning writers to be these days than an Inprint class. There, some of Houston's finest authors (past instructors include award-winning novelists such as Farnoosh Moshiri, Gail Storey and Olive Hershey) will teach you everything you need to know about the craft of writing, from the basics of what makes a good story to the fine art of line editing. If poetry or essaying is your bag, Inprint's got that covered, too. Each writing workshop meets once a week for two months. During that time, you and 11 other aspiring writers (the classes cap off at 12) will meet for an evening of round-tabling over your work and theirs. And if you're a lucky, into-the-night hardworking writer, you just might come out with a piece that's polished enough to send out for publication.
Got one of those must-be-told stories buried deep inside your soul? There's no place better for burgeoning writers to be these days than an Inprint class. There, some of Houston's finest authors (past instructors include award-winning novelists such as Farnoosh Moshiri, Gail Storey and Olive Hershey) will teach you everything you need to know about the craft of writing, from the basics of what makes a good story to the fine art of line editing. If poetry or essaying is your bag, Inprint's got that covered, too. Each writing workshop meets once a week for two months. During that time, you and 11 other aspiring writers (the classes cap off at 12) will meet for an evening of round-tabling over your work and theirs. And if you're a lucky, into-the-night hardworking writer, you just might come out with a piece that's polished enough to send out for publication.
The St. Louis transplant with a degree from Rice University mixes clever quips with celebrity impersonations, all the while keeping his material at a 12th-grade level -- okay, maybe a remedial 12th-grade level. In just a few years as a stand-up, he's already headlined his own show at Houston's only real A-room, the Laff Stop, and he appeared earlier this year on Premium Blend, Comedy Central's showcase for up-and-coming comedians. (You can view a clip of the performance online at comedycentral.com.) Now a professional touring comic, MacRae is often out on the road, but occasionally he can be found tuning up new material at Houston's major comedy open mike (also at the Laff Stop). Catch him before stardom inflates the price of admission to a car payment.
The St. Louis transplant with a degree from Rice University mixes clever quips with celebrity impersonations, all the while keeping his material at a 12th-grade level -- okay, maybe a remedial 12th-grade level. In just a few years as a stand-up, he's already headlined his own show at Houston's only real A-room, the Laff Stop, and he appeared earlier this year on Premium Blend, Comedy Central's showcase for up-and-coming comedians. (You can view a clip of the performance online at comedycentral.com.) Now a professional touring comic, MacRae is often out on the road, but occasionally he can be found tuning up new material at Houston's major comedy open mike (also at the Laff Stop). Catch him before stardom inflates the price of admission to a car payment.
Before the privileged daughter of an aristocratic Japanese family crossed paths with a working-class lad from Liverpool, she was an artist who put the "avant" in avant-garde. Loosely associated with the Fluxus movement, Yoko Ono made works ranging from socially and artistically provocative performances like Cut Piece (1964), which invited members of the audience to snip off bits of her clothes, to the poetry of Ceiling Painting (Y E S Painting), the same work that introduced Lennon to Ono at her 1966 Indica Gallery opening when he climbed a white ladder and used a magnifying glass to view the simple word "yes" written on the ceiling. "YES YOKO ONO," a retrospective at the Contemporary Arts Museum, presented a fascinating range of Ono's work, ripe for reassessment. Through her art rather than media hype and distortion, emerged the portrait of a talented artist of tremendous intellect and quiet wit.
Before the privileged daughter of an aristocratic Japanese family crossed paths with a working-class lad from Liverpool, she was an artist who put the "avant" in avant-garde. Loosely associated with the Fluxus movement, Yoko Ono made works ranging from socially and artistically provocative performances like Cut Piece (1964), which invited members of the audience to snip off bits of her clothes, to the poetry of Ceiling Painting (Y E S Painting), the same work that introduced Lennon to Ono at her 1966 Indica Gallery opening when he climbed a white ladder and used a magnifying glass to view the simple word "yes" written on the ceiling. "YES YOKO ONO," a retrospective at the Contemporary Arts Museum, presented a fascinating range of Ono's work, ripe for reassessment. Through her art rather than media hype and distortion, emerged the portrait of a talented artist of tremendous intellect and quiet wit.
Donations of every imaginable variety show up weekly: horns, doll heads, a film canister of Tommy Lee Jones's spit, balls of Saran Wrap, clumps of hair, an appendix, color photos of fallopian tubes and contemporary art of a disquieting nature. Artist/nutball Dolan Smith has turned his Heights bungalow into a mecca for all things weird, including his own artwork, an ongoing series of drawings that details a host of physical and psychological scars featuring Smith's own brand of black humor. Visitors are invited to write down and contribute their own scars to the Scar Room as well. Smith is supplementing his empire of the bizarre with a two-thirds-complete pet cemetery. Last year, Tropical Storm Allison took its toll on the nascent final resting place for pets. Rising floodwaters filled the jars of 32 dead rats, inadvertently creating biological pipe bombs. Smith plans to complete the columbarium this fall. For a strange time, call to schedule a visit.
Donations of every imaginable variety show up weekly: horns, doll heads, a film canister of Tommy Lee Jones's spit, balls of Saran Wrap, clumps of hair, an appendix, color photos of fallopian tubes and contemporary art of a disquieting nature. Artist/nutball Dolan Smith has turned his Heights bungalow into a mecca for all things weird, including his own artwork, an ongoing series of drawings that details a host of physical and psychological scars featuring Smith's own brand of black humor. Visitors are invited to write down and contribute their own scars to the Scar Room as well. Smith is supplementing his empire of the bizarre with a two-thirds-complete pet cemetery. Last year, Tropical Storm Allison took its toll on the nascent final resting place for pets. Rising floodwaters filled the jars of 32 dead rats, inadvertently creating biological pipe bombs. Smith plans to complete the columbarium this fall. For a strange time, call to schedule a visit.
Usually we're depressed by Houston's headlong rush to tear down every vestige of its past and replace it with something modern. But let's face it, the old Music Hall was a dump. The roof leaked, the offstage areas were cramped, and there wasn't much charm in its pedestrian design. The $100 million Hobby Center is a spectacular improvement on all accounts. Even though the main hall is far too big (2,600 seats), the feeling is as intimate as possible given the numbers. The acoustics are great, and the stage environs were designed with touring Broadway shows in mind. The accompanying 500-seat hall, yet to be finished, has endless possibilities, but whether it can be a financial success remains to be seen.
Usually we're depressed by Houston's headlong rush to tear down every vestige of its past and replace it with something modern. But let's face it, the old Music Hall was a dump. The roof leaked, the offstage areas were cramped, and there wasn't much charm in its pedestrian design. The $100 million Hobby Center is a spectacular improvement on all accounts. Even though the main hall is far too big (2,600 seats), the feeling is as intimate as possible given the numbers. The acoustics are great, and the stage environs were designed with touring Broadway shows in mind. The accompanying 500-seat hall, yet to be finished, has endless possibilities, but whether it can be a financial success remains to be seen.

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