Matthew Drutt, chief curator of the Menil Collection, is on a roll. He curated the stellar "Kazimir Malevich: Suprematism," a wonderfully cogent exhibition and indispensable catalog exploring the artist's development of the movement. The show presented Malevich's seminal 1915 Black Square
for the first time outside Russia, as well as the artist's lesser-known architectural models. The exhibition was awarded first place by the International Association of Art Critics/USA for Best Monographic Museum Show. (That's like an art-world Oscar.) And this summer, Drutt brought Olafur Eliasson's stunning photographs to the Menil. Less well-known than his installations, Eliasson's photographs investigate nature and man's interaction with it. And in his hands, the results are lush and riveting. The show took three years to plan, but Drutt's timing couldn't have been more perfect -- Eliasson was just coming of his phenomenally successful show "The Weather Project" at the Tate Modern in London.