Photo by Kaitlin Steinberg

Tucked away in a corner of Midtown, 13 Celsius is housed in a cozy, window-filled, 1930s Spanish-style building. This sets the stage for a laid-back atmosphere complemented by a staff ready to give you as much or as little attention as you need. Want to know what the folks behind the bar recommend? The wine list always includes a detailed explanation of staff favorites — both edible and drinkable. If those aren't what you're looking for, the bartenders are always willing to guide you through the abundant and rotating selection.

Most Houston arts companies would say that they want people of every color, size, age, gender, ethnicity and ability in their audience. Hope Stone goes one better and puts people of every color, size, age, gender, ethnicity and ability onstage, too. Choreographer/artistic director/resident janitor Jane Weiner (hey, that's her joke, not ours) is the driving force behind the dance company and school, and it's her "everybody's welcome" philosophy that guides the group. Hope Stone most recently premiered Weiner's ballet SEE ME at Wortham Center with a cast that included a child, a blind man, a pregnant woman and a prima ballerina. It was a highlight of the Houston arts season.

Producing Artistic Director Kenn McLaughlin proved himself over and over at Stages Repertory Theatre last season. The season of powerful scripts moved easily from money-making musicals like Altar Boyz to thoughtful social commentaries such as The Unseen and Black Pearl Sings. Rich with political heft, hilarious jokes and emotional power, the season was most impressive for its commitment to exploring what it means to be human in a difficult and complicated world. Add in the fact that most every production was beautifully cast and wonderfully directed, with designs from folks like Jon Gow and Kirk Markley that captured the strange beauty of the world, and you've got a season to remember.

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