Earlier this year, Japanese artist Yasuaki Onishi filled the Rice Art Gallery with what seemed to be a floating mountain. Onishi, who uses a process he calls "casting the invisible," created the installation over a three-week period. He and an assistant first draped plastic sheeting over stacked cardboard boxes, then glued the sheets in place with black hot-glue, which was dripped down thousands of plastic lines hung from the ceiling. Onishi removed the boxes to leave a void. The effect was mesmerizing. Under the sheets was empty space; above the space was a torrent of what seemed to be black rain. Visitors walked around and through the room-size installation, marveling at the weightlessness of it and at the painstaking process that created it.

It may lack a skyline view, and it might not sprawl alongside a so-called "creek" like a nearby competitor, but damned if we haven't had more fun sucking down coffin-nails in the backyard of Brad Moore's Big Star Bar than anywhere else. Amid all the picnic tables, there's a quasi-military, sorta-camouflage tent back there that looks like something under which Hawkeye Pierce and Trapper John would quaff barracks-distilled martinis, and in the cooler months, fire pits are trundled out to warm chilly partiers. It's dog-friendly and there are lots of crawfish boils? What's not to love? Plus, the whole thing is attached to one of the most unpretentious bars in the Heights, a low-ceilinged love shack replete with thrift-store furniture, a ramshackle pool table, cheap and stiff drinks, and a well-curated CD jukebox, so no tool can ever ruin your night with a rock-block of Creed or Nickelback.

You'll likely experience one of the unique evenings in your adult life dancing alongside (and oft-times with) the regulars to live and legit soul, blues and R&B on the Silver Slipper's black-and-white checkerboard dance floor. And even if you're saddled with two left feet, the heavy eyes of judgment from the decked-out ladies and the three-piece-suit-wearing gentlemen will never look your way. If you get hungry, replenish with an order of delicious, tender catfish served with a side of fries, then get back on that dance floor that's been holding it down since the Cormier family swung open the doors to its Fifth Ward shotgun shack for the first time in 1952.


Even when this complete dive in the East End isn't hosting real-deal punk and metal shows that run in the $5 to $7 cover-charge range, the punk-ness oozes from the cans of PBR and the raucous back patio. The best times are Fridays and Saturdays, but even off nights are awesome, such as when Dallas-based Dead to a Dying World headlined a Sunday-night gig on New Year's Day. The Swan also hosts the occasional festival, including Unite to Destroy, which featured two evenings of get-trampled-in-the-pit punk and metal from Texas-based groups such as Gall and Turbokrieg as well as national and international acts. In true punk form, pinning down exact show dates, times and lineups is an elusive proposition. Instead, you'll have to check the posters on the bathroom doors of the Swan, the flyer shelves at Sound Exchange on Richmond, or ask your local punk.

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