At first blush the least Romanian of the Romanian New Wavers, Radu Jude's new film is in no way a steely-eyed, ultra-realist, uninflected working-class trudge, and the cranial wounds of Eastern European Communism are yet a gleam in the characters' eyes. Rather, more acutely than The Hateful Eight, Aferim! is a comic western -- complete with period-drama frontier-ness, poky horse ridin', bounty hunters and an Anthony Mann-ish love for scrubby mountain landscapes. The particulars emerge gradually: It's post-medieval (early 1800s, actually) Wallachia, and the two chatty riders we meet are mercenary "constables" traversing a peasant landscape of plague, frontier justice and gypsy slaves.
Shot in spectral widescreen black and white, Jude's movie (a prizewinner at the Berlin Film Festival and Jude's first film to be distributed stateside) plays out almost entirely at a lazy distance, without close-ups; you have to lean in to catch the ironies amid the wild openness. The ersatz lawmen on the journey, plump crotchety father Costandin (Teodor Corban) and dim son Ionita (Mihai Comanoiu), have been commissioned to track down a runaway Romani slave wanted, it is revealed, for fucking the boyar's wife. Mostly, they talk. The pair's run-ins -- with plague-infected peasants, terrified "crows" (gypsies), an outrageously xenophobic priest, a militia of other boyars, even an officious Ottoman bigwig -- float on nonstop banter, most of it spewing from Costandin's mouth in a river of invective and idiotic aphorisms.
Jude, a New Wave stalwart since his unforgettable short The Tube with a Hat (2006) won virtually every festival prize there is, coolly resists any portent about how the journey might resolve -- we fear the worst, and get it, in a typically offhand Romanian way.