The great ocean deep proves a natural canvas for Japanese animation legend Hayao Miyazaki (Princess Mononoke, Spirited Away), whose latest feature riffs on Hans Christian Andersens classic tale of The Little Mermaid, albeit with the distinctly Miyazaki-an twist that the mermaid princess is an anthropomorphic goldfish with magical powers, and her handsome prince is a five-year-old schoolboy still in full possession of his baby teeth. The advance word on Ponyopresented here in an English-dubbed version adapted by E.T. screenwriter Melissa Mathison and supervised by Pixar guru John Lasseterhad suggested that the film would mark a conscious return by its director to the gentler, more kid-friendly style of movies like My Neighbor Totoro and Kikis Delivery Service, and while that may be the case, the appeal of Ponyo is hardly limited to the Romper Room set. Its a movie for anyone who, like Miyazaki himself, can still happily commune with his inner five-year-old. Like much of Miyazakis work, the film carries an unsubtle environmental message about the littering and overharvesting of the ocean. Yet, as he glances at the world once more through a childs wide, unspoiled eyes, Miyazaki seems to find hope for renewal.