Battle of the Beach Music: 1984 vs. 2014

Keep Houston Press Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Houston and help keep the future of Houston Press free.

I've never been a fan of the beach. My family is about it, though, so sometime this summer I'll be sitting someplace that smells worse than a Red Lobster Dumpster introducing new grains of sand to my ass crack.

My parents were from Galveston, but they hated the beach. We never went as kids. So I never cultivated a youthful, healthy perspective by building sandcastles or finding seashells like some of you.

By the time I got there, I was old enough to drink beer and buy my own music; those were the things that made a beach day more bearable for me. In honor of my first true beach outing 30 years ago, and to steel myself for an imminent trip, I thought I'd see if I'll fare at least as well music-wise this summer as I did in 1984.

Van Halen, "Panama" vs. Paramore, "Ain't It Fun" In the early '80s, you listened to rock and roll at the beach. Rap was a thing, but it wasn't ubiquitous yet. Dolly and Willie were the biggest country stars in the world, but not at the beach. Although you were surrounded by them, if you listened to A Flock of Seagulls at the beach, you were begging to have sand kicked in your face.

Just as they do today, kids were listening to The Doors and Zep out there. As for releases from 1984 -- the year and the album -- Van Halen's "Panama" was as big as the prom queen's hairdo.

The highest-charted song passing for rock on Billboard today is "Ain't It Fun." I once thought Hayley Williams could be the next Pat Benatar. She's excellent live and has a strong voice, but somewhere along the way she became another pop singer.

Advantage: 1984

Prince, "When Doves Cry" vs. DJ Snake & Lil Jon, "Turn Down for What" "When Doves Cry" was my jam when I still had a pube 'stache and weighed less than 180 pounds. That song was everywhere the summer of '84, but that didn't mean it was perfect for the beach, where people go to be carefree. How could you put your blues behind you with Prince reminding you every half-hour of his own dysfunctional relationships?

I plan on hearing "Turn Down for What" at least hourly until Labor Day. At least it sounds like a beach party. And it has a berserk music video that makes "Doves"'s video look like a trip to the funeral planner to discuss long-term arrangements.

Advantage: 2014

Laid Back, "White Horse" vs. Calvin Harris, "Summer"

I like the fact that Harris doubles as producer and vocalist on "Summer," which should be a staple at parties -- beachside or otherwise -- for the next couple of months. But "White Horse" was more than a summertime party song. It still evokes an era. As everyone knows, we '80s young adults were stoking St. Elmo's Fire by snorting coke off the smalls of each others' backs. That's when we weren't stabbing at them in our attempts to become the next Gordon Gekko. All the nihilistic decadence you recall or learned about in Less Than Zero wrapped in a four-minute head-nodder.

Advantage: 1984

Ray Parker Jr. "Ghostbusters" vs. Pharrell Williams, "Happy" It had been done before ("Alfie" from Alfie; "Mrs. Robinson" from The Graduate) but soundtrack music became hugely popular in the 1980s. Thanks to MTV, producers could pair songs with visuals from films and air them repeatedly. The perfect commercial.

Sadly, this sometimes resulted in songs like "Ghostbusters." There's a special kind of hatred in my dark heart for this inane song, one that hasn't waned over five American presidencies, the cancellations of 30 years' worth of TV shows or anything else we Americans use to mark time. The song's insipid "I ain't afraid of no ghosts!" was the worst thing to hear at the beach besides "Shark!" I know, you're sick of "Happy." But be happy it's not as dumb as "Ghostbusters."

Advantage: 2014

Story continues on the next page.

Madonna, "Borderline" vs Iggy Azalea "Fancy." She came out of nowhere, has the 2014 summertime anthem and boasts an enticingly unapologetic style all her own. Like Madonna 30 years ago, Iggy Azalea is the pop star of the moment. To cop a phrase from back then, she's "tripendicular." But does she have what it takes to become The New Classic?

Get back to me when she's surpassed global music superstardom to become one of the most loved, hated, emulated, written- and talked-about women of her quarter-century.

Advantage: 1984

ZZ Top vs. Z-Ro Summertime is a good time to celebrate local music. Every Houston artist has a mixtape or CD out, so please play some of it at the beach so we don't have to listen to pop radio stations all afternoon out there. Mere paragraphs ago, I related how we rocked on the shoreline way back when. I'm sure I heard "Legs" at least once at Stewart Beach. Today, I'm happy to hear a lot more hip-hop everywhere, and Z-Ro is a favorite.

I grew up in Hiram Clarke; he's from right next door in Mo City. In many respects, my Houston experience is way more similar to his than the Top's. If you see me out at the beach this summer, I'll be the old man playing "Crooked Officer" when the beach patrol rolls by.

Advantage: 2014

1984 MJ vs. 2014 MJ As is often the case, it all comes down to Michael Jackson. His posthumous duet with Justin Timberlake, "Love Never Felt So Good," is getting good buzz, with some listeners recalling "Off the Wall." Surely, the talented Timberlake takes the song to a better level, but Jackson is an idol of his, so let's give credit where it's due. Nice to see Mike can still be a thriller.

Since the song was actually written 30 years ago, is this a 1984 song or a 2014 song? Doesn't matter. When music makes the day under the sun and on the surf better, we're all winners.


The Ask Willie D Archives Houston's Top 10 Hipster Bars, Clubs & Icehouses 2014 Today's 10 Most Promising Young Metal Bands Hip-Hop's Seven Best Breakup Songs Houston's Top 10 Rooftop Bars and Lounges

Keep the Houston Press Free... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Houston with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the Press community and help support independent local journalism in Houston.


Join the Press community and help support independent local journalism in Houston.