While Broadcast's early singles and first LP, 2000's The Noise Made by People, were inventive and alluring -- featuring sultry female vocals, melancholy sci-fi keyboards and '60s pop undercurrents -- the group hadn't fully executed the USA concept until its new full-length, Haha Sound. Here, Broadcast sounds wonderfully archaic and wholly modern, drawing influence from folk, doo-wop and early electronic musicians, and adding aggressive drones and peculiar noises to its ethereal songs. On "Colour Me In," bubbling, wheezing synthesizers give Trish Keenan's cool, agile vocals a darker edge, while on "Valerie" the echoing reverberations and thick feedback push her nursery-rhyme cadence into the land of children's nightmares. With its blurry synth and cooed vocals, "Winter Now" sounds like a girl-group transmission from Mars; the funky percussion and shimmering chimes of "Man Is Not a Bird" suggest Astrud Gilberto in Atlantis.
Lyrically, Broadcast still deals in vague, celestial dread (song title: "Ominous Clouds"). But now, a couplet such as "I will not lament the sky / No longer feel night on the inside" comes wrapped in syncopated beats and nerve-rattling whirrs, making it feel romantic and sad and deep. That's the band's secret: By mixing freaky noise into its swooning pop, Broadcast has reinvented psychedelia as time-spanning poesy.