Visualizing the Beatles: A Complete Graphic History of the World’s Favorite Band
By John Pring and Rob Thomas
Dey Street Books
With hundreds of biographies published over decades, there can’t possibly be a completely different way to tell the well-worn story of the Fab Four, right? Wrong. And that’s the truth with this charming, inventive, and utterly unique tome.
By using a combination of infographics, data, numbers, words, and short blurbs, Authors Pring and Thomas chart the band’s story in a visually amazing way. Not surprisingly, their actual day gigs are as graphic artists for major corporations.
With a narrative presented loosely by album release date, their illustrations give a pictorial and information bar-driven representation of everything from what Beatle carried the songwriting load on each tune, maps with Beatle-specific locations, numbers of tour dates, album cover style, and even symbols for every instrument they used (19 on the soundtrack to Help! – including a güiro).
There’s even Word Cloud illustrations that measure the most often-used examples sung on each record. Not surprisingly, “Love” “Girl,” and “Know” are among the most often-repeated.
But the most fun illustrations show the Beatles’ changing hairstyles and fashion leanings, The text is peppered with the nuts and bolts history, but also plenty of fan-nugget info. Like the classic gray collarless suits, while inspired by Pierre Cardin, were actually the work of Douglas Millings. Or among the other titles the band tossed around for Revolver included Bubble and Squeak, Abracadabra, The Beatles on Safari, and After Geography (the last one diehard fans know a play on their frenemies the Rolling Stones, who had just released their own Aftermath).
A fresh, fun, and enticing take on the Beatles history, Visualizing the Beatles makes a ‘60s band very Millennial.
Twilight of the Gods: A Journey to the End of Classic Rock
By Steven Hyden
Dey Street Books
Lately, there’s a seeming plethora-of-and-growing list of classic rockers who have recently passed away (Tom Petty, David Bowie, Gregg Allman, Walter Becker), or are getting off the road either mostly or for good (Elton John, Black Sabbath, Eric Clapton, Lynyrd Skynyrd). So this book about both the music culture that created “classic rock” and the state of its practitioners in 2018 could not be more timely.
Part memoir, part criticism, and part pondering both funny and fraught, Hyden’s insightful writing about the genre and its giants makes for compelling and freewheeling page-turning. Whether it’s explaining the difference between Classic Rock (REO Speedwagon’s Hi Infidelity) and classic rock (The Stooges’ Raw Power), its original and new fans, or just how the radio format began in the mid-‘80s with nostalgia for songs not yet even in their teen years, he offers a lot on the continued popularity of bands.
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And many of those bands, their histories, and their music are steeped in a unique mythology. From the Led Zeppelin Mud Shark Incident to Paul Is Dead to the “Satanic” message of the Eagles’ Hotel California to Pink Floyd's acid casualty Syd Barrett and Jim Morrison's exposed penis the myths can loom larger than the music. Hyden touts them all, and his own precarious path in modern times reflecting on what that meant to him then as a teen and now as a middle-aged man.
Of course, the questions “Is Rock Dead?” and “Who’s Gonna Take Their Place” are addressed, but Hyden offers that our classic rock heroes are dinosaurs. Not for their current ages, but as dominant, powerful creatures who once ruled all others and the likes of which will never be seen or heard again.
After all, who among today’s most popular rock bands will be relevant and listened to in 2068? The Foo Fighters? The Killers? Imagine Dragons? Fucking Fall Out Boy? Not even U2 or Pearl Jam or Metallica will likely have the generations-removed relevance and staying power of a Beatles or Who or Stones or Zep or Springsteen. Reissues of their decades-old work or every guitar fart or alternate take that Jimmy Page cut in the studio can still outsell the biggest modern rock records. And especially in an era where pop and hip-hop rule and the public wants playlists and not albums.
Make no mistake, Winter is Coming for all our Classic Rock Icons. So enjoy them while they’re still here. And on whatever musical format comes, vanishes, then comes back as retro cool. I wouldn’t hold on to those old 8-tracks, though.