5. Evergreen Terrace, "Maniac" The surprising thing here isn't that this cover exists. If we've learned anything from the Punk Goes... series, it's that there's always a market for covers of pop songs with screaming. The thing is, it never works, especially when it comes to '80s hits. I had to struggle to find five that didn't suck when I wrote this article, and only one of the good ones I found was of an '80s song.
But I have to cop to loving this cover of the Flashdance classic "Maniac" by post-hardcore band Evergreen Terrace, who decided to take it on for their Writer's Block covers LP. I don't really know what sets it apart from other covers of this style. Maybe it's that they take it so seriously, and adapt it to their style with such sincerity. Regardless of the reason, though, it just works and I can't get enough of it.
4. The Blood Brothers, "Under Pressure" In a similar vein of "post-hardcore band takes on '80s hit" as Evergreen Terrace's take on "Maniac," the Blood Brothers decided for some reason to try to approach the classic duet between David Bowie and Freddie Mercury. God knows why anyone would try that.
They did have one advantage though: a pair of singers already in the band who had very distinctive vocal ranges. Maybe that's how they actually managed to pull off this respectable cover. It may not get anywhere near the original's soaring heights, but it's awesome in its own quirky, punk way.
Plus, it actually manages to follow an original formula, rather than the typical "make everything really heavy, scream, and add a breakdown" approach favored by most heavy bands covering pop songs.
3. Miles Davis, "Time After Time" Miles Davis took a lot of heat for his '80s comeback, mostly because he experimented with contemporary synthesized instruments and covered then-new pop songs. For what it's worth, I think the era deserves a serious reevaluation now that we're removed from synthesizers being a "newfangled" instrument.
As part of that, we should definitely look back on this cover of Cyndi Lauper's "Time After Time," which is absolutely beautiful when played by Miles on his trumpet. It's a weird choice for him, especially given that he was 59 at the time and by all rights should have been going through a nostalgic classicist period so everyone could laud him for returning to his roots. Instead, the always restless, always brilliant jazzman pulls it off exceptionally.
List continues on the next page.