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Concerts

Last Night: Texas Tornados At Discovery Green

Texas Tornados Discovery Green September 23, 2010

Aftermath's favorite shows are the ones where we just have to write down the set list and not much else. The Texas Tornados are one of the bands that allow us to do that.

We didn't know all the songs the reconstituted Tex-Mex titans played Thursday at Discovery Green - in front of the biggest crowd we've seen yet at the Capitol One free concert series - but there were only a couple we didn't recognize. Even those we really did, because they were cut from the same cloth as "She's About a Mover," "Who Were You Thinkin' Of" and "Is Anybody Goin' To San Antone," which constitute a pretty hefty branch of our musical family tree.

God, it's great to live in Texas.

SET LIST

Even calling the Tornados "reconstituted" isn't quite right. Yes, the group is now missing late Texas icons Doug Sahm and Freddy Fender, but only in the physical sense. Their music, and their grooves, are very much alive.

So are the nuts and bolts of the Tornados. The group floored it around 7:30 p.m. with "Nuevo Laredo" and never looked back, only stopping for Shawn Sahm to either mention yet again how happy the group was to be in Houston or pay tribute to Fender and his dad, remain the same. Besides co-founders Augie Meyers and Flaco Jimenez, guitarist Louie Ortega, bassist and Houston native Speedy Sparks and drummer Ernie Durawa were all around at the beginning.

They're all getting up in years. None of them has lost a step. Not Meyers, who carried the boisterous mid-'60s spirit of the Sir Douglas Quintet into "Dinero," "Velma From Selma," "Hey Baby Que Paso" and Sam the Sham's "Wooly Bully" - arguably the song that started it all - his Vox organ steaming along like the Sugarland Express. And not Jimenez, whose nimble accordion work on "Adios Mexico" and "Nuevo Laredo" was as mischievous as the half-smile he had all night.

And not Ortega, either. Besides sizzling fretwork all night long, the guitarist crooned a broken-hearted "Before the Next Teardrop Falls" that would have made Fender proud.

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Chris Gray has been Music Editor for the Houston Press since 2008. He is the proud father of a Beatles-loving toddler named Oliver.
Contact: Chris Gray