Houston Music

Local Rotation: Hearts of Animals' Cave Lights

Hearts of Animals

Cave Lights


Hearts of Animals' Cave Lights, the second release by ArtStorm records - yes, another fledgling local label - constructs another level of frontwoman and sole proprietor Mlee Suprean's icy fortress of solitude. Like HOA's 2007 single "Stars Say No," Cave Lights traffics in pinballing high-frequency sounds, layered artificial percussion and fragile vocal melodies that draw on the Cocteau Twins and other 4AD bands of the mid-to-late '80s.

However, the first two tracks, "Maybe Maybe Maybe" and "The Next Day," are much less structured and guitar-oriented than her previous work, instead consisting of fractured echo chambers where tones coalesce and dissolve around ethereal themes. The balance of the album is more conventional, at least for HOA - Suprean forgoes some of her weirdest noises, but she shows no signs of tempering the heavy delay that gives her music its kaleidoscopic quality. It makes her songs deceptively dense, adding extra layers to simple, pretty tunes like "Sister Stories;" it also allows her to blend a mournful accordion smoothly into the sorrowful electro-pop of "Sit Right Here." This last points to an important aspect of HOA's music: it's surprisingly sad, both harmonically and lyrically.

Even the two instrumentals are minor-key, including the stunning untitled saxophone ensemble that closes the album. Cave Lights touches repeatedly on themes of departure and withdrawal into unreality, creating a fantasy which provides no escape- only crippled isolation dressed up in distracting colors, like sparkling lights in a dead-end cave.
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Daniel Mee