Typical of the music we get from The Manichean, nothing can be counted on to be even remotely normal. Tirapelli-Jamail has branched into the use of much more unconventional sound generating apparatuses than use don previous releases.
He pluck a guqin on Sakura - a bit odd using a Chinese stringed instrument instead of a koto on a song titled after the Japanese word for "cherry." He's also utilized toy pianos on various tracks and has embraced the Korg synthesizer as well. We're sure that Korg will be sending him the uniform of bondage pants, button down black shirt, and stompy boots shortly.
As the "Whispers Saga" continues to unfold, it has become clear that the Manichean is adding and adapting as they go along. You have to expect that when you name your band after a religion who's main claim to infamy was taking other people's gods and saying "mine."
"Is the 'Whispers Saga' concretely mapped out? Well, yes and no," says Sinclair. "Obviously Sakura has become a kind of footnote to the saga and very much a part of it, but that was a surprise to even us. It's a collection of gospels."
Three further releases in the main storyline, each corresponding with a classical element, are expected
For now, we can enjoy the... prologue? Spin-off? There's no real need to but Sakura in a box. It continues the unbroken streak the Manichean has in putting out thoughtful and engaging short albums that perfectly meld the edge and the solid ground of pop. Each song is a wonderful wander through light and dark, and we're already waiting for the next installment.
The Manichean plays with Dengue Fever, Spain Colored Orange, Electric Attitude, The Band Foster, Tax the Wolf, Brandon West and The Black Hats, and Cari Qouyeser Band Saturday, May 7, at Fitzgerald's.
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