—————————————————— A Chat With Drive-By Truckers Leader Patterson Hood | Houston Press

Inquiring Minds

Patterson Hood Touts Drive-By Truckers' New Unity

Over a discography of work, some rock bands become closely identified with their frequent record cover artists be it Ken Kelly with KISS, Jim Fitzpatrick with Thin Lizzy, or Roger Dean with Yes and a universe of prog rockers.

But no band/artist relationship is tighter than the Drive-By Truckers and Wes Freed. Freed's paintings and drawings of almond-eyed southern vixens, gimme cap wearing rednecks, devils, weird pastoral scenes, and those creepy long-necked black birds have graced the majority of the Truckers album covers, as well as inside booklets, posters, and merchandise.

Truckers co-founder/singer/guitarist Patterson Hood feels that Freed's best work is the cover of their most recent effort, last year's English Oceans. And it wasn't even a band original. It was a commissioned painting that Freed did for Barr Weissman (who did a documentary on the band, 2009's The Secret to a Happy Ending) of his three daughters.

"And I fell madly in love with it," Hood says. "And while we were recording it, I just kept going back to that was what I wanted the cover to look like, so I got permission. It's my favorite ever."

Hood also recalls that Freed has had some pretty strong opinions on previous records.

"When we were doing what would become Brighter Than Creation's Dark, I gave Wes three different titles we were debating on. And he told me, 'I don't care what you call the record, but I'm doing the cover for Brighter Than Creation's Dark!'"

Soon, a lot more people might also see Freed's work at merch tables in large arenas. For while the upcoming DBT show in Houston is a club gig, it's one of several scheduled during a much larger tour which has the Truckers opening for country superstar Eric Church in huge arenas.

Hood says he's not sure if it was one of Church's people or Church himself who wanted the band on board, but he's happy to show newer and larger crowds what the band and their music is about, just like some year back when they opened on a Tom Petty tour.

"I've never met [Eric], but someone told me he was a fan. And I'd like to think that's true even if it isn't!" Hood laughs.

"I don't think he needs our help with ticket sales, but I'm honored to be given the opportunity to play on a big stage. Even if only 10% of the audience likes us, that's a thousand or two thousand people a night!"

If Hood is sounding upbeat about this latest version of the Drive-By Truckers, it's because he is. Extremely. Since their 1996 formation, there have been more or less 14 "official" band members who've come and gone, with Hood and fellow singer/guitarist Mike Cooley as the only constants.

And while relations among the players have often not been good and some departures abrupt and bitter, Hood is pumped about the current DBTs, which also include longtime drummer Brad Morgan, keyboardist Jay Gonzales, and bassist Matt Patton.

"We're playing well, everybody's healthy, and we're very united as a band. This is how it should be when you're dreaming as a kid of having one. There's a lot of camaraderie now," Hood offers.

"We're hanging out intentionally in the same room as opposed to everyone getting on stage and being as far apart as possible. And we're going through better times in our individual personal lives than in the past."

With English Oceans having been out almost a year now and the band's next being a live album coming sometime this summer, Hood says there is a chance for great flexibility in the set list, and he enjoys mixing and matching songs from the group's entire career.

"Recording songs and playing them live are so different. In our case, the version that is on the record might be only the second or third take. Or first!" Hood laughs. "And when a record is brand new and we're still learning the songs live, we've got to project it to the audience.

"It's like breaking in a pair of new boots. You can wear them more places comfortably after you've worn them awhile," he continues, before stopping himself. "Hey, that's a great analogy! I'm going to have to use that one again!"

Story continues on the next page.

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Bob Ruggiero has been writing about music, books, visual arts and entertainment for the Houston Press since 1997, with an emphasis on classic rock. He used to have an incredible and luxurious mullet in college as well. He is the author of the band biography Slippin’ Out of Darkness: The Story of WAR.
Contact: Bob Ruggiero