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Concerts

Saturday Night: ZZ Top at Constellation Field

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My favorite part of the evening had to have been the trio's performance of "I Gotsta' Get Paid" from the new album, a reinterpretation of DJ DMD, Lil' Keke and Fat Pat's "25 Lighters," a Houston rap classic circa 1999. Few (if any) other acts could pull off such a feat, without upsetting enthusiasts of the original song or their own fan base.

Alternatively, ZZ Top succeeded with both groups. And they even got an advertisement out of it. All of a sudden, I want to drink Jeremiah Weed.

For nearly an hour and a half, older fans were transported back in time, while younger fans lived vicariously through their cool uncles, aunts and parents, as the band took us through its singles collection, throwing in a few lesser-known hits and cuts off La Futura to keep it fresh. A few grandparents were there with young children too, and I haven't seen that in a while. But when music is this good, you just kind of want to share it with as many people as you can.

ZZ Top isn't just a band; it's a state of mind.

Personal Bias: The way a lot of people make bucket lists that include things like skydiving, building something and learning to surf, I've made something of a musical bucket list. Glad to finally scratch these guys off of it, and I hope I get to see them again. Something tells me, especially in Houston, I'll get a few more chances.

Overheard In the Crowd: "Uh, how-how-how-how!"

Random Notebook Dump: My friend, who went to the show with me, told me that, when he worked at the Apple store, Gibbons once came in and, with a big ol' smile, told him he needed a new power cord for his laptop. He was so friendly and down-to-earth, it didn't cross my friend's mind that it was Gibbons himself. Instead, he walked into the back and told a coworker, "This guy out front looks just like the guitarist from ZZ Top."


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Matt is a regular contributor to the Houston Press’ music section. He graduated from the University of Houston with a degree in print journalism and global business. Matt first began writing for the Press as an intern, having accidentally sent his resume to the publication's music editor instead of the news chief. After half a decade of attending concerts and interviewing musicians, he has credited this fortuitous mistake to divine intervention.
Contact: Matthew Keever