Concerts

Slipknot's Rage Still Connects After Nearly 20 Years

Slipknot
Cynthia Woods Mitchell Pavilion
September 4, 2015

Eighteen years.

That is how long Corey Taylor has been fronting the Iowa born, nu-metal nine-piece Slipknot. He has pursued other projects during that time — forming another band and publishing a few novels — but it was as No. 8 in Slipknot that he sharpened his teeth.

And it is in Slipknot, where Taylor still shines. Despite other ventures, his origin remains his best work as a vocalist, as a songwriter and as a performer. Having seen Stone Sour a few times, I thought I had an idea of what to expect Friday night, but Slipknot's performance at the Cynthia Woods Mitchell Pavilion shattered my expectations and was more than I could have hoped for.

The show was preceded by a video in which an unmasked Clown, also known as No. 6, walked into and through an empty venue, ominously dragging his signature baseball bat behind him. Then the curtains were drawn closed, and Van Halen's "Running with the Devil" echoed through the amphitheater, ushering fans with cold refreshments back into their seats.

When the house lights went down, the collective scream heard from the crowd was deafening. Slipknot began its set with "XIX," a menacing but understated track, before continuing into "Sarcastrophe," which Taylor has described as a war cry for the band and its fans.

Attendees chanted along — "Burn up in your atmosphere! Burn up in your utmost fear! We are kill gods!" — as circle pits formed throughout the lawn while Clown and No. 3 wailed on makeshift drum kits that had been hoisted into the air. Flames shot above them both while Taylor hurriedly walked the length of the stage and flung water onto his adoring fans.

Despite having enjoyed a long career, one that has lasted significantly longer than countless naysayers expected, Slipknot doesn't seem to have lost any of the menace and passion that inspired the band's self-titled debut album back in 1999.

"Corporate cocksuckers have been trying to kill our music for 20 years," Taylor reminded the crowd before the band played "Before I Forget." But judging by the attendance at Saturday night's show, this group is in good standing and has plenty of life left in it, no matter what the record labels initially thought.

Feelings of resentment notwithstanding, Taylor asked the crowd to remember one thing when they left: we are all family. Despite any differences we might have, all we have is one another, and we need to stick together.

And that's kind of the thing about Slipknot. After nearly two decades, a lot of people still can't see past the masks or hear beyond the aggression to notice what this band's music is all about. It has progressed quite a bit since their inception, and what began as an outlet for a group of guys who were angry has become a rallying cry for countless souls desperate for heroes.

Then again, some people just don't like this type of music. But that's their loss.

SET LIST
XIX
Sarcastrophe
The Heretic Anthem
Psychosocial
The Devil in I
AOV
Vermillion
Wait & Bleed
Killpop
Before I Forget
Sulfur
Duality
Disasterpiece
Spit It Out
Custer
Encore:
742617000027
(sic)
People = Shit
Surfacing













KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Matt is a regular contributor to the Houston Press’ music section. He graduated from the University of Houston with a degree in print journalism and global business. Matt first began writing for the Press as an intern, having accidentally sent his resume to the publication's music editor instead of the news chief. After half a decade of attending concerts and interviewing musicians, he has credited this fortuitous mistake to divine intervention.
Contact: Matthew Keever