The Five Best Concerts in Houston This Week: Leon Russell, Hell City Kings, The 1975, etc.

Keep Houston Press Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Houston and help keep the future of Houston Press free.

Leon Russell House of Blues, November 24

Though he's not quite a household name, Leon Russell's gospel-soaked style has infiltrated so much rock and pop of the past 40 years it's practically a genre of its own. The Lawton, Okla. native has been a go-to keyboardist, songwriter and partner in crime for almost too many stars to count -- Eric Clapton, Joe Cocker and Willie Nelson chief among them -- and his mellow honky-tonk keys made Russell a crucial player in the Tulsa scene that produced JJ Cale and Dwight Twilley.

Not so long ago Russell got to enjoy a little time in the limelight with The Union, his 2010 tandem album with Elton John that the Rocket Man admitted was his way of saying "thank you" to one of his main mentors. Russell's induction into the Rock and Roll Hall of Fame followed in 2011.

John Egan The Big Easy, November 24

Give John Egan credit for taking chances. The longtime solo Houston bluesman's new album, Amulet, is in some respects the polar opposite of its 2012 predecessor, Phantoms. Besides bringing in a few side musicians and respected Americana producer R.S. Field (Billy Joe Shaver, Webb Wilder), Egan has expanded his songwriting reach to include Latin-tinged jazz and melancholy pop, showing he's less reliant on his Resonator guitar's unforgiving tone but comfortable keeping the instrument as his anchor.

The end result is a softer mood than Phantoms, whose songs sometimes showed visibly bared teeth, but Amulet's overall disquieting feel suggests Egan has done little to ward off the same tormentors who were after him last time.

Hell City Kings Fitzgerald's, November 26

Thanksgiving Eve is "that time of year again to be thankful Houston still has some good bands around," saith the Kings, who celebrate their tenth anniversary by stuffing new 7-inch "One Night Stand Ego" b/w "Two Grams All For Me" into the turkey. Fellow music-scene miscreants Donkey Punch, Poor Dumb Bastards, the Guilloteens and Velostacks add bile and cranberry sauce.

Story continues on the next page.

The 1975 Bayou Music Center, November 26

The 1975 sounds exactly like a band that cut their teeth on as many Brian Eno as Michael Jackson and Rolling Stones songs. Unlikely as it sounds, that's exactly how the Manchester four-piece got their start more than a decade ago, and reached fruition on last year's eponymous debut LP. The album is heavy on the dreamlike atmospherics of UK contemporaries like Glasvegas, with several songs obviously descended from the Cocteau Twins, but others are just one or two degrees removed from being screamed out by thousands of tweens at One Direction concerts. And the 1975 may get there yet. With CRUISR and Young Rising Sons.

Jackson Taylor & the Sinners Firehouse Saloon, November 26

Jackson Taylor & the Sinners' songs are full of drinkin', cussin', fightin', smokin', and associating with ladies of ill repute -- you know, the good stuff. The Wichita, Kan., group wears their allegiance to outlaw heroes like Waylon, Shaver and Social Distortion's Mike Ness as proudly as their abundant tattoos. As heard on albums like 2012's Bad Juju and last year's Crazy Again, it goes down a lot smoother than the prepackaged quasi-rebellion coming out of Nashville these days.


The Ask Willie D Archives Houston's Top 10 Places to Drink Alone Music's Biggest Douchebags (2013) All the Houston References On Drake's Nothing Was the Same Rest of the Best: Houston's Top 10 Bars

Keep the Houston Press Free... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Houston with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the Press community and help support independent local journalism in Houston.


Join the Press community and help support independent local journalism in Houston.