—————————————————— The Top WTF Moments Of The Year | Rocks Off | Houston | Houston Press | The Leading Independent News Source in Houston, Texas

WTF Island

The Top WTF Moments Of The Year

Page 2 of 2

Jef With One F: Earlier this year, I reported on the very public resignation of Black Congress from the line-up of Ghoulsfest over a contractual argument involving a local show the band was playing the night before the festival. The whole thing degenerated into a miasma of name-calling as we tried to sort out what everyone considered appropriate behavior from such a talented and up-and-coming band.

The thing about the whole affair I personally found laughable was that the band and several of their defenders claimed that the festival needed Black Congress way more than Black Congress needed the festival. I called bullshit on this since Ghoulfest, featuring Macy Gray and Bad Brains, was looking like it was going to be the big fall Houston music event, and maybe the new big money player on the Houston festival scene.

WTF, Black Congress was right and I was wrong. The festival was surprisingly sparsely attended, though still an excellent time to judge by those in attendance. Meanwhile, the EyeHateGod show that Black Congress has quit the festival to play was packed, loud and by all accounts a resounding success.

I doubt that Black Congress's absence was the reason that the festival fell short of its potential, but it certainly didn't help. I can bitch about professionalism all I want, but ticket sales are hard to argue with.

John Seaborn Gray: Robert Pattinson, who plays the character Sparklefang the Chaste in Stephanie Meyer's Abstinence Porn epic The Twilight Saga, was in town and randomly stopped by Notsuoh, picked up a guitar, played some tunes, and then mingled with the bar-goers for a while before peacing out.

I don't know anything about the guy, but he's got to be pretty cool to have the entire city of Houston to choose from and pick cluttered, schizoid little Main Street gem Notsuoh. From what I hear, he was really nice. Usually when you're at Notsuoh, you expect the odd derelict drunk, homeless street kid, or dependable regular to wander in, not Robert Freaking Pattinson. Weird.

Matthew Keever: Clubs that close because they don't pay their electric bill. That, and being denied Justin Bieber tickets. Have you no mercy!?

Shea Serrano: This doesn't have anything to do with anything really, but on Monday afternoon I was picking up some lunch from Long John Silver's on Kirby (keep it elegant, I always say) and there was a homeless man walking around with his penis hanging out. It was so bizarre.

He literally had his pants around his knees, his dong hanging in the wind like a little, dirty, disgusting flag. When I saw him, I literally said, "Whhhhaaaat the fuuuckkkkk...?!" I immediately called, like, at least seven different people to tell them. That's more people than I called after I met T-Pain, by the way.

Brittanie Shey: The [proposed] selling of KTRU. It was a true slap in the face to the students who run the station and the music-loving community at large in Houston. Even classical music lovers are getting fucked by this deal, since the [proposed] new station's reach will be far less that KUHF's current coverage.

It also felt pretty slimy to see how the powers that be gave us the slip, thanks to the open-records release of these emails.

William Michael Smith: Jennifer Grassman jumping onstage unasked and singing a cappella during the Houston Press music awards show. Excruciating and presumptuous. Cute it was not.

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
The Houston Press is a nationally award-winning, 34-year-old publication ruled by endless curiosity, a certain amount of irreverence, the desire to get to the truth and to point out the absurd as well as the glorious.
Contact: Houston Press