In fact, Whitlock has a writing credit on eight of the album’s 14 tracks, and his raw, R&B-drenched voice is prominently heard both with “Derek” Clapton and solo. The 1970 double album was recorded in a morass of unrequited love (as Clapton pined for his friend Harrison’s wife, Pattie), drugs and incendiary blues rock playing.
The Dominos also included Jim Gordon on drums and Carl Radle on bass (Clapton poached all three from the Delaney & Bonnie group) and one special guest star in the form of Duane Allman. As to why the album still holds up today, Whitlock says the answer can be found in the lyrics of one of its best-known cuts: “Tell the Truth.”
“The record has a lot of truth to it. We had a lot of songs, but we weren’t completely prepared. We’d jam and then something would come out it, or we’d jam and I’d go write some lyrics and melodies,” Whitlock reflects today.
“[Producer] Tom Dowd suggested we go see the Allman Brothers Band
Fast-forward to 2017 and Whitlock is still playing those Layla tunes, along with material from his solo career and blues standards. But now the guitar player by his side (and singer and saxophonist) is his wife, CoCo Carmel. The pair
But for their current nine-date acoustic “Sparkly Shoes” tour – which concludes July 1 at the Mucky Duck – the pair is trying something daring. They will be joined for the set by a different guitarist in each city, and for
Whitlock says the idea sprung from a fan who bombarded him with videos of a guitar player he knew. His resistance worn down, Whitlock and Carmel invited the
“I’d never given much thought, but that album is kind of a holy grail for guitar players. When we did the gig, CoCo and I looked at each other and said that was the missing link,” he says. Once word got out they wanted to try it for this tour, he says, they were “inundated” with guitar players who said they were up for a challenge. A sizable one considering the trio would never be able to rehearse, and the set list would be fluid. Whitlock says he hasn’t even met some of his sidemen before stepping onstage.
Whitlock told a lot of those stories in his 2011 autobiography, for which we talked to him previously, and it was clear even then how close he and Carmel were and are, with no line of demarcation between the stage and the home.
“Our personal life is our professional life. It’s what we do all day. We’ve been together 24/7 for 17 years and it still works. So we must be doing something right!” Whitlock says. “Love is the center of our life; it’s the core of our world. The seed of love is planted, and everything is just an offspring of that. We tell each other, show each other how much we care for each other every day.”
The multi-instrumentalist/songwriter Carmel concurs...mostly. “We’re sort of one whole complete unit,” she offers. “But we do need some time away from each other. We have our own rooms in the house. I like to have quiet time in with my dogs, and he’s in the other room with the cat!”
And though Bobby Whitlock has played and partied with many of the legends of rock, he says he was never starstruck by them, as he was more into R&B and in fact was the first white artist signed to the Stax Records label.
“I mean, George and Eric both wanted to join our band in Delaney and Bonnie and played with us on the road! I didn’t really listen to their records and still haven’t!” he laughs. “But the first thing that came to my mind was how small they all were in stature! You think of them as being larger than life, but they’re not. They wore a size 7½ or 8
Bobby Whitlock and CoCo Carmel with Nick Michael Taylor play July 1, 7 p.m., at McGonigel’s Mucky Duck, 2425 Norfolk Street. $20-$22. www.mcgonigels.com or 713-528-5999. Or visit www.bobbywhitlockandcococarmel.com