Part II of our look at the top ten country albums of 2006.
Perhaps the most difficult way to make a really superlative commercial country
album is to play by all the rules, and just do it better than everyone else. The lift here comes from smart songwriting and from Peck's voice
, a forceful instrument that gets more powerful
the more gently she applies it. If Peck fails to become a big star
, it will be for extramusical reasons: She's far too sexy
—not "pretty" like Faith Hill, but sweet-merciful-Jesus-I'd-tap-that-without-a-warrant hot
—for country's predominantly older female demographic.
Here and Now
Worley was tagged as a Toby Keith wannabe
after "Have You Forgotten?"
(a bold riposte to the ... uh, approximately zero Americans
who didn't want Osama bin Laden obliterated
) rode the conflation of Sept. 11
and the Iraq war to the top of the chart in spring 2003
, just as the Dixie Chicks were getting Dixie Chicked
. "Forgotten" aside, Worley is actually a thoughtful singer-songwriter with a flair for naked emotion
and an eye for detail
. Newly free of both his major-label deal and his marriage
, his latest is a holler of liberated glee
, the sound of a man who can't wait to get into trouble
. Sealing the deal is "I Just Got Back from a War,"
about an American soldier's anger and confusion at not being greeted as a liberator. It's bleak and daring, and Keith wouldn't touch it with a 10-foot flag.
Nashville tried, and failed, to get in on the teen-pop extravaganza
of a few years ago. Now that Britney is a divorcee with two kids, it finally succeeds with this 16-year-old wunderkind
. Swift neither plays for cuteness, nor poses as jailbait
; she simply uses her native intelligence to express clearly to anyone who will listen her hopes for the future, her growing worldliness
and her dawning awareness that boys may be more trouble than they're worth.
Small Town Girl
The big-voiced, calamari-hating Pickler
finished sixth on the latest season of American Idol
, which in Nashville narrowcasting terms is a dream marketing setup. Add the right collaborators (like songwriter Aimee Mayo and producer Blake Chancey
), and you wind up with an unvarnished pop-country jewel
featuring a surprisingly confident headliner
who's not as dumb as you think
(Sony Music Nashville)
brought sexy back to pop in 2006 (or at least announced that intention), but country apparently wasn't ready for the same. Everett's slyly insinuating singles "That's the Kind of Love I'm In"
and "Bad Things"
(as in, things he wants to do to you, sweet thing) barely dented the charts, and his album was quietly dumped into stores
. Everett lost his deal in a merger
and by July was ranting about "the dumbing down and homogenization of our culture" on his MySpace page
. You know what that means: A great screw-the-music-business album is brewing somewhere
. Good luck finding a rhyme for "homogenization
," but I'm sure someone in Music City can swing it. - CHRIS NEAL
For Part I of this article, see yesterday's blog.
What do you think? Are these the top ten country music albums of 2006 or did we miss something? Tell us what you think - just leave a note in the comment section below. Thanks!