True Blood: Mikky Ekko Makes Me Not Hate Rihanna

Alan Ball was known for his masterful use of music in Six Feet Under. He's lost none of his touch when it comes to his current HBO series, True Blood -- which happens to be set in the Louisiana swamps, not terribly far from Houston.

I've watched True Blood from the very first episode and covered it almost as long once I realized that it had the best soundtrack in television history. Seriously, only Buffy the Vampire Slayer clocks in as a distant second. Music makes up so much of the show, and I really feel that the best moments, the moments that make a viewer want to keep watching, have the uniquely dark Southern sound that has dominated the show.

Last year, I thought I was done with this gig. Watching Bill Compton die and be reincarnated as the vampire messiah/mammon Lilith had me questioning exactly how much cocaine is involved in the writing process for an HBO television drama. Little by little the vampire franchise that broke all the rules was basically turning into the Blade movies. Those are great movies, but they're not the thing six damn seasons are made of.

In the aftermath of the many, many people that got offed at the end of the last season, Sookie, Jason, Eric, Nora, and Jessica are running as far and fast as they can from the vampire stronghold in New Orleans. It's here that the show does something very, very sensible. It spends almost all its time on dealing with the characters in these traumatic aftermaths as they re-establish who they are going to be in relation to each other.

Jason is the most damaged. He is seeing visions of his dead parents and wants to wreak holy war on vampires in general. It turns out his parents' murderer is a vampire so old he appears in their Bible, and the information has driven him just a little crazy. He cuts all ties with his sister and the vampire community before storming off into the Louisiana night.

Nora is struggling with the fact that she's devoted her whole life to a parasite god. Eric is touched by Sookie's honor and ability to fight for those she cares about. His good grace is actually used against him as he recounts their first meeting, prompting Sookie to banish him from her house in order to find that little girl in the white dress Eric remembers so fondly.

Jessica is a deeper and more subtle performance, and Deborah Ann Woll continues to be a real treasure on the sidelines. In Bill she's finally found a real father, but she's simultaneously repulsed by and dedicated to him. Her conflict, magnified as always with a certain headstrong teen angst, makes for some of the show's most tender moments. Later, we see Bill, sporting untold powers, tuck her gently into bed before retiring to study his Bible.

Everyone is falling into new places, which is understandable as huge conflicts in the supernatural community have occurred one after the other. It was strangely a quiet opener, which is a very bold move. I think Season 6 might actually make it.

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Jef Rouner (not cis, he/him) is a contributing writer who covers politics, pop culture, social justice, video games, and online behavior. He is often a professional annoyance to the ignorant and hurtful.
Contact: Jef Rouner