¡Viva Compadre!

Just under a year ago, Racket predicted a rosy future for Brad Turcotte's local label Compadre Records, and like blind pigs, even lowly music scribes sometimes sniff out acorns. So far Turcotte has made Racket look like the genius he thinks he is after his third shot of Herradura.

Turcotte's booze-soaked Brewed in Texas country compo, released after his Texas Road Trip road songs compilation, sold well enough to crack Billboard's country chart. Besides Cory Morrow, no other independent Houston-based country (or rock) album has pulled off a Billboard charting in a long, long time.

Next, Turcotte signed Hayes Carll, and all the Woodlands-bred singer did was earn two nominations in the Press Music Awards, get named 2002's best new artist by KIKK DJ Leslie T. Travis and win a ringing encomium from Jack Ingram, who has said Carll's Flowers and Liquor sneaked up on him and knocked him on his ass.

Former Great Divide front man Mike McClure and longtime Waylon Jennings lead guitarist Billy Ray Reynolds also have signed with Compadre and released their solo debuts. Susan Gibson and Cross Canadian Ragweed's Cody Canada guested on McClure's Twelve Pieces, while Merle Haggard dropped by for a duet with Reynolds.

Not a bad first year for Turcotte. It's been so successful, in fact, that he's had to move his office out of his Galleria-area town home. The new casa de Compadre will be in the Warehouse District. Call it the price of success. "It's kinda weird to have someone like Billy Joe Shaver drop by your town home," Turcotte notes.

If you're wondering why the greatest living Texas songwriter has been hanging out by the Galleria, there's a simple explanation. Turcotte has all but signed him to a deal. By the time you read this, the deal should be done, and preproduction work on Billy Joe's next album already will have begun.

This week, Turcotte and Shaver are meeting with masterful roots music producer R.S. Field, whose credits include Shaver's Tramp on Your Street, Sonny Landreth's Outward Bound and Scott Miller's Thus Always to Tyrants. "We're sitting down with R.S. and looking through all of Billy Joe's new songs," says Turcotte. "He supposedly has 40 or 50 new songs that he wants to cull down to about 12 for the album."

On how he landed Shaver, Turcotte is modest, though he does credit himself with knowing when to apply the personal touch: "R.S. called me for a proposal, and I guess they liked what I had to say. Then I followed up with a phone call to Billy Joe, and he liked that. He said no one from a label had ever called him personally. It had always been attorneys. He's the nicest guy to talk to, and we had a lot of the same ideas."

One of those ideas is to rerecord Shaver's "Good Ol' USA," a celebration of American industry and how it helped defeat the Nazis. Post-September 11, the tunes takes on a whole new layer of meaning, and rumor has it that a raspy-voiced bard by the name of Bob Dylan will be duetting with Billy Joe on the remake.

"I haven't got a confirmation on that yet," says Shaver from his Corsicana home. "But it's in the works, yeah."

A demo of the remake (sans Dylan) is already on the Web, Shaver says. Just don't ask him to download it himself. "You can pull it down from your Internet thing off Billyjoeshaver.com. I'm scared to death of it. I'm just now trying to figure out my phone. Off and on, that's all I can do with this little ol' thing I carry around."

His voice begins to trail off as he ponders his cell phone. "Turn it on. Turn it off," he mumbles.

"It's high-tech," he suddenly adds, laughing uproariously.

The idea to recut "USA" came from an unlikely source: 60 Minutes curmudgeon Andy Rooney. (Shaver's a big fan of the bushy-browed sage. "I like him," he says. "He's an old guy, but he's real wise.") One of Rooney's remarks resonated with Shaver. "I heard him talking way back yonder, no, not way back yonder, but back aways, I think even before the tragedy," Shaver recounts. "He said, 'You know, we need to be doing something that'll cause people to think of us the way they always did.' And when he said that I thought to myself, 'You know, I've got that song.' "

That song is the antithesis of Lee Greenwood's wretched ballad "God Bless the USA." Where the latter offers only bland platitudes, Shaver gives us wry observations on why it is, exactly, that this country is the most powerful on earth. What we do with that power is up to the listeners. "It's almost a commercial for the USA, and you know, we need to get back to tradin' and lovin' instead of shootin' and dyin' and all that stuff," Shaver says. "Even if we have to trade with bullets flying around our heads, we have to start doin' it. All the way around the world, I'm talkin' about."

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