Posted inArts & Pop Culture

Blood Money

Just as writer-director Menno Meyjes’ Max was premiering at the Toronto International Film Festival, Overlook Press was shipping to bookstores Frederic Spotts’ Hitler and the Power of Aesthetics. Meyjes’ film and Spotts’ book say essentially the same thing: Adolf Hitler was a reluctant dictator, a potentially insignificant man who wanted…

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