Houston Ballet opens its 2026-2027 with a mixed-rep that revives Stanton Welch’s Pecos Bill, an early career work from 2004. The program is a fine example of the company’s expanse of repertoire in both content and style, as seen in the other two works on display: George Balanchine’s Symphonie Concertante and Lars Lubovitch’s Meadow. I’ve […]
