At times, as it dissolves between scenes of its cast as literal toy dolls machine-gunning Nazis in the made-up Belgian town of Marwen, Zemeckis’ movie seems an inquisition into the limits of the director’s own imagination
At times, as it dissolves between scenes of its cast as literal toy dolls machine-gunning Nazis in the made-up Belgian town of Marwen, Zemeckis’ movie seems an inquisition into the limits of the director’s own imagination
