| Stage |

Strindberg's Debt Collectors at Stark Naked Theatre: Emotionally Explosive

Keep Houston Press Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Houston and help keep the future of Houston Press free.

It's a wonder the influential Swedish playwright (also painter, novelist, photographer and essayist) August Strindberg wrote any autobiography at all. After all, his life is richly detailed in every play - all his psychoses, neurotic desires, internal demons, prejudices and dreams. He changed theater forever with such sexy psychodramas as The Father (1887) and Miss Julie (1888), suffered a breakdown accompanied by an occult religious conversion after his marriage failed and his new works weren't successful, got married again twice, and created a new expressionist theater when his free-form The Dream Play (1902) and Ghost Sonata (1908) rocked Europe. Surprisingly, his forceful work is not produced much outside university theater, so Stark Naked Theatre, a new company in its world-premiere production, is to be applauded for bringing us one of Strindberg's great early successes, The Creditors (1889), or as they're calling it, Debt Collectors. It contains all of Strindberg's major themes: power vs. weakness, marriage vs. freedom, male vs. female.

During a Mexican vacation, while successful-writer wife Thea (Kim Tobin) is away, artist husband Andrew (Philip Lehl), crippled and suffering from asthma, is befriended by mysterious stranger Justin (David Rainey). With gnawing insinuations about Thea's faithfulness, Justin, like Iago, worms his way into Andrew's consciousness. He convinces Andrew to eavesdrop when Justin meets Thea, so he can prove to Andrew that his wife is no good. The kicker: Justin is Thea's former husband, out to destroy her for writing about him, and if he must take down milquetoast Andrew to do it, so be it. That's the way of Strindberg's world. Naked Theatre does wonders with the psychotic Swede, from the adult sandbox set conjured by design wizard Jodi Bobrovsky to the imaginative sound design of gulls and far-off surf from Chip Schneider. The emotionally explosive trio discovers all Strindberg's sadistic twists and artfully bats them back and forth. Co-directed by husband/wife Lehl and Tobin, the game is feverish and shiveringly good. Prepare to have your obsessions stripped Stark Naked.

Through May 29. Obsidian Art Space, 3522 White Oak, 832-866-6514.

Keep the Houston Press Free... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Houston with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the Press community and help support independent local journalism in Houston.


Join the Press community and help support independent local journalism in Houston.