Beck’s 2005 Guero album, hailed as the folk-rock-rap-whatever successor to his ’96 landmark Odelay, reveled in the artist’s usual ironic self-awareness. The title, for one, translates to “white boy,” belying a record drizzled in country twang, Mexican slang, grungy hip-hop, orchestral bossa nova and funky electronica. Now out of that…
