Hearing the opening of The xx’s single “Intro” (featured during the
Olympics on an AT&T commercial with speed-skater Apolo Ohno) the
broiling mass of humanity that filled the French Legation grounds in
East Austin Thursday evening let out a collective sigh.
The late-starting set was one of
the year’s biggest buzz bands launching its SXSW assault, playing its
first of many showcases. Yet The xx is one of those new British bands –
think Bloc Party or White Lies – that doesn’t really seem suited for
sunny festival settings. Sex and dark moods shape their songs, so while
they played their quasi-hits “Crystallize” and “Islands,” the energy
remained diffuse.
The lyrics were muted. Listeners turned to
conversation and heckling one and other rather that digging the band.
One hopes the singer-guitarist Romy Madley-Croft finds her inner belter
this week. Certainly, on the winning “Infinity,” with a guitar line
that sounds suspiciously similar Chris Issak’s “Wicked Game,” the band
showed charisma.
Alas, The xx were gone from this showcase before we
got better acquainted.
This article appears in Mar 18-24, 2010.
