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Houston Noise Music

Top five reasons to love it

Houston Noise. Ah, yet one more minuscule music genre. This one's local, at least, but still pretty hard to describe in ten words or less. It's mostly distorted, stripped down, dark, moody, experimental music that seems to have no interest in being commercially successful. Wikipedia says it has "an aesthetic sensibility rooted in dissonance and a flippant attitude toward sonic clarity and technical virtuosity." Translation: It sounds like noise.

Houston artist and Rua Minx noiser Donna Huanca says her shows "tend to repel the audience 'cause of the raw, abrasive sounds that often occur." Huanca goes on to say, "I have replaced music with discussions, debates on contemplation, karaoke and train solos. The one thing that they all have in common is that I play a drum of some sort. My most recent instruments are a Bolivian drone drum made from baby alpaca and my sewing machine." See, noise as music. Noise music.

We think lots of music sounds like noise -- not because that's the goal, but because of a lack of skill, taste or talent. So when we find a genre that is purposefully and knowingly embracing its noise-ness, we have to give it props. Here are our Top Five Reasons to Love Houston Noise Music:

1. How many times will you find a musical genre named after your hometown?

2. The fact that it's called "noise" means that even the musicians have no illusions about its musicality -- this is noise, just played with guitars and amplifiers.

3. Houston Noise is an equal opportunity genre. Men, women, men who want to be women, women who love men who want to be women -- everybody has a shot at being a noiser.

4. The term Houston Noise gives KTRU-FM something to write down instead of "My roommate's lame-ass band" under "genre" on their FDC forms.

5. Houston Noise success looks an awful lot like regular old "starving musician" failure. That means mothers across the city can say, "My son's into Houston Noise," instead of "My son's a no-talent bum." It makes for much happier small talk with strangers.

As for us, we're getting T-shirts printed up with "Love the Noise, be one with the Noise!" Go Noise!

 
  • Ramon LP4 Medina 04/15/2007 3:20:00 AM

    Slasswell, Perhaps you should learn to type, use punctuation, or just copy-edit before you post. A few are Ok but that was a bit much. Let me help you by cleaning up your text. I think what you meant to write was "I am so sick of musicians whining about everything; they whine about the president, the war, the Houston Chronicle, and the Press. Maybe they should practice more. I, for one, think so." Now, if I may reply to your comments: I, for one, have praised the Chronicle's coverage of the music scene. It may not be prefect but it has enthusiasm and there is real effort behind it. Given the readership of the Chonicle, I think the work Sara Cress has done there is commendable. Compare Sara Cress' Jana Hunter interview with OFA's and you'll note a marked difference in quality. Secondly, the ability of a musician playing well or not has nothing to do with OFA's inability to engage her subject by putting some effort behind her work and doing some basic research. She does neither and to make up for it she hides behind cheap jokes therefore she simply has to take her lumps when she demeans something she clearly doesn't understand. Lastly, the musicians she derides in this piece actually do put a lot of hard work behind their art which, by the way, has a long history behind it. A history which OFA might have found engaging has she treated her work seriously.

  • slaswell 04/14/2007 3:44:00 AM

    I am so sick of musicans wining about everything they wine about hte presedent the war the houston chronical the press and maybe they should practis more of there insturmnets longer. I for one think so.

  • John Clark 04/13/2007 1:35:00 AM

    Ms. Alvarez, with as much respect as you afford the subjects of your stories, please distance yourself from music journalism. To say that your articles are trite belittle the effective and cherished word, "trite." What little I know of the Houston noise scene reveals a rich and engaging past even if the music isn't always so. When I say that this story was a waste of a column, I do not necessarily mean that in a derogatory way. I only mean to point out that, once again, you have missed an opportunity to perform research, dig your nails deep into the subject and cull an interesting story with diverse characters. I am curious if you have formally studied journalism or even informally familiarized with the discipline. Regardless if you were trying to be witty, satirical or informative, you have failed. Again. Do you realize that yet?

  • Ted Sands 04/12/2007 9:46:00 PM

    My son is a no-talent bum and you couldn't pay him to play "houston noise." Check him out. He's a rising star. Thanks for the memories. Ted Sands

  • Kurt Brennan 04/12/2007 9:34:00 PM

    Firstly, "Houston Noise" isn't a musical genre. The genre is called "Noise" and it's been around for, I dunno, about 20 years now(please google "Merzbow"). Secondly, would it kill you to do even a little research? I mean, you couldn't even be bothered to listen to Jana Hunter's first album before interviewing her a couple weeks ago (and first heard her new album DURING the interview). Consulting Wikipedia (ugh) and talking to (apparently) only one person involved in the local noise scene for this article doesn't really strike me as going all-out. The noise scene in Houston has a rather long and storied history. Unfortunately, anyone unaware of that wouldn't be any the wiser for reading your afterthought of a piece.

  • GregOne 04/12/2007 8:26:00 PM

    The least you could do is actually spark some interest in the local scene despite the fact that you obviously don't like "Houston noise." The last thing we need is less support for local bands in a city that already sorely lacks said support, especially considering the ratio of population to bands. Thanks for supporting local musicians.

  • Ramon Medina 04/12/2007 7:59:00 PM

    I was really excited when it seemed like you were going to actually discuss the Houston Noise scene. Given that there is a lot of creativity and work in that scene that informs other genres, it's sad that it's nothing more than a punchline to you. My god, is this what music journalism has come to? Instead of actually exploring the scene you hide laziness behind sardonic comments. "Ho Ho Ho! I could actually go out to Super Happy Funland and actually watch some noise shows to get an understanding of the music...or I could just sit on my ass and call one person". It's a real shame because this could have been a really good article but missed opportunities is something I've come to expect from the Press' music coverage these days.

 

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