The 15 Best Houston Songs of 2016

Fuzz-rock trio Sik Mule serves up some sympathy for "Selfie Nation."
Fuzz-rock trio Sik Mule serves up some sympathy for "Selfie Nation."
Photo by Juan Castañeda/Courtesy of Sik Mule

As technology evolves and popular tastes devolve, the song’s position as the fundamental musical currency is in no danger whatsoever. Certain Luddites and vinyl fetishists may cling to albums, but a single song will always be the fastest, most direct and often cheapest means for musicians to get their message across, no matter the physical or digital medium. So while it may be hopelessly subjective to call these the “best” songs of 2016, even the most skeptical observer should be able to glance through this list and gain an inkling of what kind of year it’s been for Houston music.

DISTANT WORKER, "The Diplomat"
Clipd Beaks, one of America's great undersung bands, used to bill themselves as a mix of Primal Scream and This Heat, markers that work well here too. Distant Worker has a knack for working out strange figures on the axis of propulsion and atmosphere. It was hard to prefer this track over Animal Data's rambunctious sleng-teng closer "Pornovenise" and its line "Is this Houston Texas or Paris France," a coy lampoon of our civic pretensions. But "The Diplomat" is a little more forward in the lineup, with a rock-ready tempo and a cool shower of acid lines about the impotent diplomacy of playing nice, whether with the bland bloodlust of these imperial times or the toothless growls of protest culture. TEX KERSCHEN

DRAKE feat. PIMP C, "Faithful"
The late Pimp C had a history of outright hijacking songs from far more famous and notable names; see Jay-Z’s “Big Pimpin” for proof. He does just that on one of the better tracks from Drake’s smash record, Views, which dropped in April. Pimp actually kicks the track off with a fire verse that shouts out UGK partner Bun B, and this is a good thing on two levels. One, a fire verse is a fire verse. Two, Drake is an emcee who tends to play to the level of his competitors. On a track like “Faithful,” rapping alongside someone the caliber of Pimp C makes Drizzy raise his game. The result is one of the best tracks on one of the year’s most successful albums. CLINT HALE

DOEMAN, "American Me"
Off the heels of his debut album, The Gold Blooded LP, Barrio god Doeman brings his signature swagger and lyrical potency to his sophomore album, O.B.E. (Outer Body Experience). Hypnotic and menacing, here he continues his reputation as one of Houston's rawest and most talented rappers. MARCO TORRES

FAT TONY feat. LA COMADRE MEL & BOMBON HOUSTON, "Dame Un Beso"
This summer, Discos Peligrosa released a flirty tropical tune featuring Houston rapper Fat Tony and Bombón’s La Comadre Mel. Though the collective traditionally champions sounds that connect the dots between cumbia, hip-hop and club music, Bombón’s “Dame Un Beso” (“Give Me a Kiss”) veers a little off-course to provide a breezy vibe that matches Tony’s effortless lyricism. The tune shot high onto Spotify’s United States Viral 50, and on iTunes’ “best of” picks and playlists. The single is out now on iTunes. MARCO TORRES

COOLEY KIMBLE, "Higher"
In July, I noted that Cooley Kimble's "Higher" was the best rap song of the mid-year. The James Brown/"Do It to Death" sample is already a gorgeous piece of uplift, but it's the tone and message that will suck you in — liberation, feeling free, and being unable to feel the lows when you've got the Lord on your side. Chance The Rapper and a host of non-Houston acts brought religion and faith back into daily conversations in regards to hip-hop. Cooley Kimble also brought those things out of people, in a year that most deservedly needed it. BRANDON CALDWELL

GIANT KITTY, "Don't Stop That Bus"
Can we take a moment to appreciate the most fun song to come out of Houston this year? “This Stupid Stuff” got Giant Kitty some well-deserved national attention, but its this tribute to America's favorite time traveler turned messiah figure turned master assassin Keanu Reeves that caught my attention the first time I saw them live and then again when listening to their album. It also makes a very simple request we can all get behind: no more accent-talking Keanu. Please. CORY GARCIA

ILL FADED feat. Kam Franklin & Fat Tony, "Do My Thing"
Dreamy and uplifting, "Do My Thing" pits three of Houston's most creative and passionate musicians on a confidence-building track. Haters better get out of the way of the Get Faded movement taking over venues and dance floors from H-Town to Mexico City. MARCO TORRES

JERK, "Delicacy"
Even more than the other tracks on JERK’s debut EP, "Delicacy" plays like an obscure disco 45 single at 33-1/3 RPM. The sparse rhythmic framework, coupled with Austin Smith’s pitch-shifted and otherworldy voice, conjures the feeling of “something’s not quite right here," a pervasive discomfort that, rather than putting off the listener, inspires a curiosity satiated only by repeat listening. And if you’re like me, maybe you even try dragging a finger on the turntable to slow it down further and live deeper in the grooves. ERIC SMITH

LYRIC MICHELLE feat. JACK FREEMAN & DONTE NEWMAN, "My Pain"
One night in October, Lyric Michelle performed songs from her stunning 2016 album Miss Direction for a lucky crowd in House of Blues' Foundation Room. It was a stripped-down set, just a guitarist and the spoken-word poet/singer/rapper, who ordered the set list to tell her story. The whole tale was enrapturing, but the highlight was “My Pain,” the best Houston song of the year. On record, it soars with support from Jack Freeman and Donte Newman. Live and unplugged, it touched the vulnerable and insecure places within us. By the song's end, we were victorious and defiant, like the woman who was singing her life with her words. It may be this year’s best, but it’s also one for the ages. JESSE SENDEJAS JR.



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