WED 11/19
Taking its name from the Cromwell-era fighting force known for its religious radicalism,
New Model Army took up the fight long, hard and often during its heyday in the
late ’80s. The punk-influenced British trio wore its post-Buzzcocks leanings on
its sleeve. They presented themselves as anti-new wavers, despite their similarity
in overall sound to, say, the Cure.Besides eschewing any notion of rock fashion,
what really set the band apart was vocalist-guitarist Justin Sullivan’s use of
introspective yet confrontational acoustic songs in which the melody and lyrics,
rather than punk’s feedback and spittle, carried the message of political change
and self-actualization. So don’t head to the Axiom expecting an old amps-to-11
aural assault. Sullivan, out on tour with mid-’90s NMA recruit Dean White, is
using only acoustic armaments on this tour.
Even in this unplugged setting, it’s nice to think that Sullivan’s invective
might register with young people who show up to check out a dude who got tattoos
long before they were merely a ho-hum fashion accessory. Better yet, in the
aftermath of the city elections, in which voter apathy has been a major concern,
maybe Sullivan can deliver a lasting Billy Bragg-style wake-up call to the dispossessed.
10 p.m. Wednesday, November 19. 2524 McKinney. For information, call 713-522-8443
or visit www.infernalbridegroom.com.
$10. — Greg Barr
Per Suede
For a moment, the average guy feels like he’s in the middle of an ’80s party
movie. He walks into a college bar, plops down on a lonely bar stool and orders
a pint. Suddenly a gaggle of hotties surrounds him, all very affectionate and
interested in what little he’s got to say. Has he finally tapped into his inner
mack daddy? No, he’s just been duped by the Suede Brigade, a crew of hot bartenders
from Suede Lounge who try to poach customers from other bars. Our hard-up protagonist
will probably end up at Suede, but we doubt his new friends will remember who
he is. 8 p.m. to 2 a.m. Tuesdays through Sundays. Suede Lounge, 1000 Prairie.
For information, call 713-227-5500. Free. — Keith Plocek
Reunited and It Feels So Good
SAT 11/15
Houston’s Third Ward was once home to a thriving mass of blues clubs, variety
theaters and dance halls, and the El Dorado Ballroom was its crown jewel. Recently
restored by Project Row Houses, the swinging-again El Dorado hosts a reunion
of Duke-Peacock Records alumni this weekend. More than just another music factory,
Duke-Peacock was an important African-American-owned and -operated record company
during the ’50s and early ’60s. Performers include Calvin Owens and His 18-Piece
Orchestra, Jewel Brown and Mickey Moseley. But don’t think of this as some sort
of blues history exhibit. This is the blues, alive ‘n’ kickin’. 8 p.m. Saturday,
November 15. 2310 Dowling, 713-526-7662. $15. — Eric A.T. Dieckman
How Do I Look?
SAT 11/15
In the mind of Cheryl Beckett, singer Norah Jones doesn’t look like a soft-skinned brunette with mythically portentous eyes. Beckett sees Jones in a much simpler light: She’s a solitary silk stocking draped delicately over a wire hanger. No, Beckett isn’t crazy; she’s a graphic designer and, apparently, quite a visual poet. Her work is part of the “Loud and Clear — Texas Music Looks Like This” exhibition, a display of original artwork interpreting the work of Texas musicians. 6 p.m. to 10 p.m. Saturday, November 15. Vine Street Studios, 1113 Vine Street. For information, call 713-227-7775 or visit www.aigahouston.org. $20 to $30. — Keith Plocek
This article appears in Nov 13-19, 2003.
