Shania touched down in The Woodlands last night for an epic set of hits on her Queen of Me Tour. Credit: Photo by Jennifer Lake

Last night at The Woodlands, Shania Twain, who at this point in her career should be referred to in only superlatives โ€” Legend, Icon, and Queen โ€” rocked The Woodlands with a magnetic stage presence and a high voltage, celebratory career spanning set list that, coupled with the Texas heat, might as well have beat us all to a pulp.

โ€œHouston, you are on fire,โ€ Twain told the sold out pavilion before playing Comeย On Overโ€™s title track, practically punctuating each word of her declaration with hand-clap and fire flame emojis.

Her current Queen of Me Tour postures itself in support of Twainโ€™s newest album of the same name, but it really shines as a Come On Over 25th Anniversary Tour. That mammoth record was on display last night more than any other in her storied discography that transcended country music, crossed over into stadium rock, and ascended into pop stratospheres.

Twain breathed colossal energy into her earlier earthquakinโ€™ cuts (โ€œAny Man of Mineโ€), led the shed through a three part harmony choir class (โ€œHoney, Iโ€™m Homeโ€), draped the stage in capital-P Patriotic visuals (โ€œRock This Country!โ€), and channeled her instantly recognizable vocal subtleties with sizzling dexterity (โ€œIf Youโ€™re Not In It For Love Iโ€™m Outta Here!โ€).

Shania Twain got up close and personal with her fans under The Woodlands Pavilion. Credit: Photo by Jennifer Lake

After an understated show opening entrance mid-crowd (โ€œWaking Up Dreamingโ€), the tourโ€™s production value kicked into its highest gear of the night with Twain emerging onstage โ€” red dress, red wig โ€” backed by visuals of a launching rocket ship and sky high fog cannons (โ€œUp!โ€). After liftoff, Twain appeared on a metallic, horse-shaped motorcycle (โ€œIโ€™m Gonna Getcha Good!โ€), because what other mode of transit do you take after the Apollo Shania?

Some of the nightโ€™s strongest offerings, and most human moments, were in the ballads. Twainโ€™s impeccable songwriting here still rings earnest (โ€œYouโ€™re Still The Oneโ€), sweeping (โ€œForever and For Always,โ€ with an especially generous vocal performance), and, this writer will shamelessly admit, breathtaking (โ€œFrom This Moment Onโ€).

Twain was in command of her larger than life Queen of Me Tour last night in Houston. Credit: Photo by Jennifer Lake

But the highlight of the night was Twainโ€™s one-two punch encore of โ€œThat Donโ€™t Impress Me Muchโ€ and โ€œMan! I Feel Like a Woman!โ€ complete with the original outfit from the latterโ€™s music video.

โ€œThis girl has never been on the live stage before, so this is – itโ€™s her first tour after being in a museum for 25 years actually,โ€ she told the fired up crowd in between the two songs that all but define her musical legacy.

โ€œItโ€™s just so wonderful to still be sharing all of these fabulous memories and music together after 25 years. Thank you so much for still being here with me. And I hope this night has made you feel incredible. Letโ€™s take the roof off!โ€

What followed could also be described in only superlatives: pure bliss, totally crazy, no you-know-whats given, and some really big time Letโ€™s Go Girls Energy.

Cheers to 25 more years, Shania.

Random Notebook Dump
When, oh when, will Shania Twain play the Houston Livestock Show and Rodeo again?

Contributor John Amar studied classical piano at HSPVA and Roosevelt University before graduating from Moores School of Music in 2016. He currently teaches private piano and voice lessons in Bellaire....