Seventy-two-year-old Billie Carr has finally retired from her DNC position, and she'll leave plenty of devoted fans behind, including her old friend President Bill Clinton. Having fought her way to the top through the ranks of conservative Democrats who once dominated the party, Carr, by necessity, also adopted many of their hard-fisted tactics. That has left plenty of moderates bruised and dismayed as the party moved to the left over the years. In the process, many of them switched ranks and helped Republicans to their domination of Texas, holding every statewide elected position. After fighting cancer to a draw through radiation and chemotherapy, Carr is now working on her memoirs at her southwest Houston bungalow, and predicts it's just a matter of time before the pendulum swings back to the Democrats. "We seem to go through seasons where people burn out, sell out or drop out, for whatever reason," reflects Carr. "And we have to go back and work some more, because there are certainly more Democrats than there are Republicans. We have a lot of work to do, and I think that we can do it." For sure, there's nobody who has clocked more hours over the last half-century on behalf of Texas Democrats than Billie Carr.

They might not be the funniest guys on Houston Media Source. They're probably not the most devoutly religious. And they're definitely not the craziest cats to ever produce a public access show. But Dez and Van have filled a giant void in the Houston hip-hop community. They work like flies on the wall, observing all the heavy happenings within the Houston urban music scene. From parties with Beyoncé's little sister Solange to late-night studio sessions with underground newcomers such as Danja Ray, if it's happening in Houston, Dez and Van are probably there to document it. Their work ethic is what makes the show so special -- these guys don't just throw together a bunch of videos with some footage of themselves being silly. Dez and Van go where the news cameras generally don't, and get the stories behind what makes Houston such a vibrant hip-hop city.

Imagine what it must be like being a furniture store owner trying to make a name in Houston through cheesy television ads. You are in the home of Jim McIngvale, a.k.a. Mattress Mac -- the Michael Jordan, the Stephen Sondheim, the Shakespeare of cheesy furniture ads. You are destined to be the Phish to his Grateful Dead. The Futurama to his Simpsons. He's Vegas, you're Reno. For years Hilton Koch, owner of Hilton Furniture, fought his brave battle against Mac by maniacally wielding a chain saw on late-night TV, apparently thinking chain saws require the same chopping motion as axes. Now he's got a new weapon: a toddler. He hasn't yet flung him about like an ax, but Houstonians are getting the chance to watch the child develop from swaddled baby to a kid mouthing his first words (the "Jack" in the tagline "That's the fact, Jack"). No doubt we have years of late-night viewing ahead of us watching him grow into a strapping young cheesy-ad man who thoughtfully helps his elderly dad hold on to a chain saw.

Bankruptcy law specialist Nancy Rapoport graduated from Rice University and headed off to California, where she got her legal training at Stanford. Although she quickly climbed the academic ranks to the deanship of the University of Nebraska College of Law, she never lost touch with her East Texas roots. After several false starts in its national search for a new law school dean, the University of Houston finally dialed the right number. "Female law deans get telephone calls all the time from schools wanting to lure them away," Rapoport commented when she was selected by UH, "but there was literally only one school I would drop everything for." Rapoport has settled into the Montrose, enjoys spending time with her parents, and pursues activities as disparate as weight lifting and ballroom dancing. As business scandals ravaged Houston corporations shortly after her arrival, the dean has also been busy putting that bankruptcy expertise to good use as a media resource.

We don't care what the Chron said in its June reaction to a glowing profile of Carolyn Farb in the London Financial Times (essentially: We knew Dominique de Menil, and you madam, are no Dominique de Menil), we still think Ms. Farb-ulous is the best collector in town. Oh, no, not just of art, although who else in Houston owns a Frida Kahlo? But also of people, projects and causes. She is the queen of charities in Houston, raising money for everything from art and architecture to education and the fight against cancer. Now that's a collection that's invaluable.

The settlement of the mega-nasty divorce suit between Christopher and Valerie Sarofim in June suited more than just the parties themselves. Former mayor Bob Lanier's adopted daughter Courtney, who had paired off with Chris when he moved out on Val, would likely have gotten a ski ride through the mud. Val's attorney, Earle Lilly, had Courtney fitted out for the role of home-busting paramour, had the drug- and sex-spiced saga gone forward. The Sarofims apparently decided to settle their differences after the Houston Chronicle jumped in, threatening daily dispatches from the courtroom by Clifford Pugh. Instead, Courtney, the daughter of former first lady Elyse Lanier by a previous marriage, now has the son of billionaire Fayez all to herself, and a December wedding is on the drawing board. "He's a professor kind of geek who loves to sit and talk about economics," reports Courtney, head of the acquisitions section of her dad's Landar Corporation. The Laniers and Sarofim also make a chummy foursome. "They get along great," explains Courtney of the bond between Sarofim and her parents. "Christopher and my dad spend four hours talking about business. And what mother doesn't like a man who's nice to her daughter?" Particularly one with a credit line like Sarofim's.

To grab your attention, billboards should be as explosive as a child's temper tantrum, and just as unsubtle. Vasectomy reversal! Who's the father?! When half's not enough! The best billboards are amusing as much for what they don't say as for what they do. "The church found out about our family planning!" "The asshole won't fess up to fathering the kid!" "I'm going to bleed the cheap son of a bitch for every penny he's worth!" Tony's signage on the Southwest Freeway is the perfect example: "Why fly to MANHATTAN?" it purrs, then shouts. "Tony's. Houston's great restaurant." The subtext smacks of residual boomtown arrogance and insecurity: Doesn't everyone dash off to the Big Apple for fresh Atlantic salmon in béarnaise sauce? Tony's alone will rescue us from our own inferiority complex; it will soothe our frazzled nerves and remind us that we don't have to jet halfway across the country for a decent meal, for God's sake. We can finally stop the insanity and enjoy a four-star meal right here in Houston.READERS' CHOICE: Absolut on West Loop 610

Houston boosters are fond of reminding the uninitiated that Bob Hope once said the view from the Warwick penthouse was the most beautiful he had ever seen. If only the Main Street Coalition had as juicy a celebrity quote about the hotel at street level. Light rail or no light rail, the coalition hopes to turn Main Street into Houston's "signature boulevard," lined with plazas, parks, shops, sidewalks and (would you believe?) pedestrians. And if the plans are for more places like the Terrace, then we're all for it. From the wrought-iron chairs atop its sweeping staircase, you can nurse an expensive cocktail and take in a veritable panorama of high culture and Houston civility. To the south is the gurgling Mecom Fountain. Across Main Street, behind a shady tangle of live oaks and sculpture, is the classical facade of the old Museum of Fine Arts building. And to the north, toward downtown, is the animated side of Houston's building-of-the-moment, Rafael Moneo's new Beck building for the MFA. Perhaps we should invite Mr. Hope to stop by for a drink.

If Houston's Spanish-speaking community has a paper of record, El Día is it. More than simply recap police blotter sagas, this daily diligently covers news affecting the city's diverse Hispanic community that otherwise wouldn't get covered. El Día has kept a watchful eye on police brutality, the fire department's handling of emergency services, schools and other critical issues. The paper took an active role in promoting the 2000 census, in hopes that Hispanics would not be undercounted, as in the past. El Día includes daily news from Mexico and the rest of Latin America, allowing immigrants to keep up with developments in their homelands. Specialty sections on entertainment, the home and other areas round out the news with a light touch. And no publication in Houston offers better coverage of international soccer.

After a year and a half with its doors shut for a $1.8 million face-lift, the Rothko Chapel reopened in June, radiating renewed richness in its muted simplicity. The renovation work reached from the ground up, bringing the shrine closer to what Rothko had intended, says Suna Umari, the chapel's executive director. The brick structure's foundation was elevated, the roof and skylight were replaced, and the famous paintings got a much-needed sprucing up. The work paid off. The canvases never looked better. Their violet, charcoal and jet-black surfaces are generous receptacles for spiritual yearnings and add deep layers to the chapel's silence. The new skylight and baffle are a particularly effective stroke, distributing light onto the whole of the canvases, where before light spilled onto the upper halves only. The eight interior walls are the color of raw cement. They join the canvases, stone floor, wood benches and black meditation rugs to evoke the sparseness of a Shinto temple or an otherworldly crypt.