In the interest of hastening and possibly short-circuiting the delay between total obscurity and posthumous renown (see Forrest Bess, Henry Darger and that Dutch guy who cut off his ear), let us praise Mike Hollis, one of the most original and committed painters Houston has produced, still living here and still working. His paintings —always changing, always ahead of the pack — are consistently engaging and strangely likable lozenges of hard, funky abstraction with a pop-color palette and a wordless wit. Over the course of his career he's shown at Texas Gallery and the Station Museum, not to mention in New York and elsewhere. Let the record state that he was also a one-time member of the Red Krayola's Familar Ugly mega-band, a psychedelic hooligan and an early punk, an artist's artist dedicated to the whole enchilada, an emblem of the anarchy and chaos for which Houston has prided itself all these years.

Housed in a historic downtown building on Travis, El Big Bad's three levels might seem a little daunting at first. But take the hike to that top level and step outside to the simple but tasteful patio, and you'll see one of the best views to be had in downtown. The scenery goes especially well with one of the Tex-Mex powerhouse's infused tequila libations. We especially like to stake out this prime real estate for Cinco de Mayo, but we're game for any time of the year.

READERS' CHOICE: Axelrad Beer Garden

Clicks promises a billiards experience free of warped cues, and that attention to detail is evident as soon as you walk into this highly entertaining and friendly pool joint. Clicks may call itself "upscale," but that doesn't mean "snooty." The prices are reasonable — tables are $12 an hour in the evenings, and around $5 before 7 p.m. If those prices are still too rich for your blood, rack 'em up on Mondays for half-off. We find alcohol greatly improves our marksmanship, so we're especially fond of the drink specials, which include $3.75 Long Island Iced Teas on Tuesdays and $2.75 domestic brews on Sundays. Think of Clicks as the equivalent of a great, clean break — ain't no scratchin' here.

READERS' CHOICE: Slick Willie's Family Pool Hall

Death may be inevitable, but the disposal of one's corpse is when things really start to get interesting. Just viewing the 14 permanent exhibits at the National Museum of Funeral History can take up an entire afternoon: There's an actual Popemobile, a hearse used to carry the body of President Ronald Reagan, and a history of embalming dating back to ancient Egypt (hello, mummy). It's not all doom and gloom either: The Día de los Muertos exhibit honors the souls of the departed in blazing color, while the star-studded Thanks for the Memories display pays tribute to celebs like Marilyn Monroe and Michael Jackson. But our hands-down personal faves have to be the fantasy coffins from West Africa — the largest collection outside of Ghana — sculpted into a fish, a leopard, a chicken or a canoe.

The Inprint Margarett Root Brown Reading Series always brings it, and the 2016-2017 season will be no different. Authors Annie Proulx, George Saunders, Colm Tóibín and Jonathan Safran Foer are all slated to come read and share insights about their work. The series has hosted tons of Pulitzer and Nobel winners over three decades, and this season Houston once again has the chance to hear from some of the best writers around for less than the cost of a movie ticket.

Houston built out instead of up. There are plenty of ways to entertain yourself, but few of those options are particularly close together. What makes Buffalo Bayou a particularly attractive way to spend some time with guests is just how much there is to see and do. You can watch bats, explore the trails, take in some art and get some air at Lee and Joe Jamail Skatepark. Got four-legged guests visiting? The Johnny Steele Dog Park has plenty for them, too. Add in the Cistern, which has people in and out of the city buzzing, and you've got a location that'll keep you and your guests busy for a while.

READERS' CHOICE: Saint Arnold Brewery Tour

Now celebrating its 18th year, the Gulf Coast Film & Video Festival is humble and down-home, with an emphasis on films, not filmmakers. This is one of the perhaps paradoxical reasons the festival attracts so much talent from across the country. Last year's winners came from Salt Lake City and L.A., not to mention exotic Kilgore, Texas. Yearly categories include features, documentaries, comedies and dramas, so there's something for just about anyone. The festival also honors local and national actors with annual lifetime achievement awards. Notable past winners have included Jon Lovitz, Erin Gray and Jasmine Guy.

For several years now, CAMH senior curator Valerie Cassel Oliver has eschewed fickle fads in favor of the quiet, steady promotion of serious artists like Susie Rosmarin, Trenton Doyle Hancock, Jae Ko, Nathaniel Donnett, Benjamin Patterson, Robert Hodge, Sanford Biggers and Jason Villegas. The art world can be a vast, contentious and capricious place, and it takes a well-seeing eye to avoid the flavor-of-the-month distractions.  With her commitment to local artists and her discerning taste, Cassel Oliver has energized the institution.

There's no going wrong with Captain Foxheart's Bad News Bar & Spirit Lodge. The slender, cavernous room is dominated by a gleaming wooden bar and a seemingly endless array of alcoholic substances used by the bartenders to create all kinds of magic-in-a-glass concoctions. Once you've got your drink, you can hang around the bar or head out to the balcony and take in the show that is downtown Houston.

This contemporary dance company, headed by Sam Houston State University professors Andy and Dionne Sparkman Noble, has a gift of combining traditional dance athleticism with sparkly production qualities, especially in its use of special effects. A NobleMotion season often consists of three glamorous Houston productions, like L'Dor Vador: Three Generations of Poetry and Dance, which was presented during the 2015-2016 season; a run to the East Coast, whether it's participating in New York City's Dance Gallery Festival or the Boston Contemporary Dance Festival; and Texas-centric outreach, such as teaching master classes to university students in Laredo and touring as a member of the Texas Commission on the Arts.

READERS' CHOICE: Houston Ballet